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Gardens of the Moon
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To Kill a Mocking...
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Pierce Brown
“That's what Society does--spread the blame so there is no villain, so it's futile to even begin to find a villain, to find justice. It's just machinery. Processes.”
Pierce Brown, Golden Son

Ray Bradbury
“If Only We Had Taller Been

The fence we walked between the years
Did bounce us serene.
It was a place half in the sky where
In the green of leaf and promising of peach
We'd reach our hands to touch and almost touch the sky,
If we could reach and touch, we said,
'Twould teach us, not to ,never to, be dead.

We ached and almost touched that stuff;
Our reach was never quite enough.
If only we had taller been,
And touched God's cuff, His hem,
We would not have to go with them
Who've gone before,
Who, short as us, stood tall as they could stand
And hoped by stretching, tall, that they might keep their land,
Their home, their hearth, their flesh and soul.
But they, like us, were standing in a hole.

O, Thomas, will a Race one day stand really tall
Across the Void, across the Universe and all?
And, measured out with rocket fire,
At last put Adam's finger forth
As on the Sistene Ceiling,
And God's hand come down the other way
To measure man and find him Good,
And Gift him with Forever's Day?
I work for that.

Short man, Large dream, I send my rockets forth
between my ears,
Hoping an inch of Good is worth a pound of years.
Aching to hear a voice cry back along the universal Mall:
We've reached Alpha Centauri!
We're tall, O God, we're tall!”
Ray Bradbury

“Ranna," she said aloud, touching the first, the smallest bell. Ranna the sleepbringer, the sweet, low sound that brought silence in its wake.

"Mosrael." The second bell, a harsh, rowdy bell. Mosrael was the waker, the bell Sabriel should never use, the bell whose sound was a seesaw, throwing the ringer further into Death, as it brought the listener into Life.
"Kibeth." Kibeth, the walker. A bell of several sounds, a difficult and contrary bell. It could give freedom of movement to one of the Dead, or walk them through the next gate. Many a necromancer had stumbled with Kibeth and walked where they would not.
"Dyrim." A musical bell, of clear and pretty tone. Dyrim was the voice that the Dead so often lost. But Dyrim could also still a tongue that moved too freely.
"Belgaer." Another tricksome bell, that sought to ring of its own accord. Belgaer was the thinking bell, the bell most necromancers scorned to use. It could restore independent thought, memory and all the patterns of a living person. Or, slipping in a careless hand, erase them.
"Saraneth." The deepest, lowest bell. The sound of strength. Saraneth was the binder, the bell that shackled the Dead to the wielder's will. And last, the largest bell, the one Sabriel's cold fingers found colder still, even in the leather case that kept it silent.
"Astarael, the Sorrowful," whispered Sabriel. Astarael was the banisher, the final bell. Properly rung, it cast everyone who heard it far into Death. Everyone, including the ringer.”
Garth Nix, Sabriel

Pierce Brown
“How cruel a life, that the sight of my dead wife means hope.”
Pierce Brown, Golden Son

Lulu Miller
“There is grandeur in this view of life.
....if you can’t see, shame on you.”
Lulu Miller, Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life

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