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Jane Eyre
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  (page 402 of 532)
Apr 25, 2026 07:20AM

 
Book cover for Two Twisted Crowns (The Shepherd King, #2)
Her yellow hair was dark with water, clinging to her in long, heavy cords. Tremors traveled up her legs and into her spine, racking her entire frame. Her lips had gone blue, and her dress—stained with blood and soil—clung to her skin. She ...more
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Rachel Gillig
“There was textured skin, some of it irritated, around her nose. Half-moon shadows beneath her eyes. Eyelashes were partially blond again, and the small gap between her two front teeth had returned. The hair along her brow didn’t fall with such unnatural elegance as before. There were tangles—rogue curls. Disarray and imperfection. She looked so… human, like the girl he’d seen riding through the woods. There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure—denote or describe—just how beautiful she was. “There you are.”
Rachel Gillig, Two Twisted Crowns

Rachel Gillig
“The girl, he whispered, honey and oil and silk. The King… We said the final words together, our voices echoing, listless, through the dark. A final note. An eternal farewell. And the monster they became.”
Rachel Gillig, Two Twisted Crowns

“I love too intensely and I’m consumed by my own love (analysis, jealousy, doubt)—so much so that when I’m in love, I always end up slightly extinguished and saddened. When I love, I become harsh, serious, intolerant. A heavy shadow settles over my relationships. I love and want to be loved with so much gravitas that it quickly becomes exhausting (for me, for the other person). It’s always an unhappy kind of love.”
Maud Ventura, My Husband

“How could I become familiar to him so quickly? After the first months of enchantment, I observed, powerless, the merging of our lives, which only wound up distancing us even more. The emotionally loaded looks and the awkward gestures were replaced by a gentle complicity. Passion was snuffed out to make room for the quotidian.”
Maud Ventura, My Husband

Rachel Gillig
“There was textured skin, some of it irritated, around her nose. Half-moon shadows beneath her eyes. Eyelashes were partially blond again, and the small gap between her two front teeth had returned. The hair along her brow didn’t fall with such unnatural elegance as before. There were tangles—rogue curls. Disarray and imperfection. She looked so… human, like the girl he’d seen riding through the woods.”
Rachel Gillig, Two Twisted Crowns

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