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Robert         Reid
“9. Delicately Sylva moved the upper layers of paper and vellum away and saw, lying on the table, a small book. It was an ornately inscribed little volume with a beautifully worked golden motif; this was what had glittered and caught her attention. The book’s cover was edged in gold and in the centre of the cover was the motif: a letter O superimposed with the letter I, forming the symbol Φ, also marked out in gold.”
Robert Reid, The Empress

Sara Pascoe
“If I were a scientist watching her, what would I write down as the results? Woman who had neglectful/scary childhood finds comfort in fictional representations of families?”
Sara Pascoe, Weirdo: 'Intense, also BRILLIANT, funny and forensically astute.' Marian Keyes

Vladimir Nabokov
“The accumulation of consecutive rooms in his memory now resembled those displays of grouped elbow chairs on show, and beds, and lamps, and inglebooks which, ignoring all space-time distinctions, commingle in the soft light of a furniture store beyond which it snows, and the dusk deepens, and nobody really loves anybody.”
Vladimir Nabokov, Pnin

Michael Wyndham Thomas
“One thing, though, was for sure – here I was, alive, healthy but as unquiet in my way as they were in theirs. Transcendent equality. You’ve got to love it.”
Michael Wyndham Thomas, The Erkeley Shadows

“A shaft of moonlight illuminated a row of sentinel silver birch in a phosphorescent glow, appearing almost ethereal in the relative surrounding gloom. Boris had stopped again, his silhouette a stark black juxtaposition against the background of illuminated branches.”
R.D. Ronald, The Elephant Tree

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