Kristin

“The serious writer has always taken the flaw in human nature for his starting point, usually the flaw in an otherwise admirable character. Drama usually bases itself on the bedrock of original sin, whether the writer thinks in theological terms or not. Then, too, any character in a serious novel is supposed to carry a burden of meaning larger than himself. The novelist doesn't write about people in a vacuum; he writes about people in a world where something is obviously lacking, where there is the general mystery of incompleteness and the particular tragedy of our own times to be demonstrated, and the novelist tries to give you, within the form of the book, the total experience of human nature at any time. For this reason, the greatest dramas naturally involve the salvation or loss of the soul. Where there is no belief in the soul, there is very little drama. ”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor

“We are each a river with a particular abiding character, but we show radically different aspects of our self according to the territory through which we travel.”
― David Whyte, The Three Marriages: Reimagining Work, Self and Relationship

“If God has come in the flesh, and if God keeps coming to us in our fleshly existence, then all of life is shot through with meaning. Earth is crammed with heaven, and heaven (when we finally get there) will be crammed with earth. Nothing wasted. Nothing lost. Nothing secular. Nothing absurd.... All are grist for the mill of a downto-earth spirituality.”
― David G. Benner, The Gift of Being Yourself: The Sacred Call to Self-Discovery

“The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood.”
― Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics