mimiky
https://www.goodreads.com/mimiky
“I feel I need a holiday, a very long holiday, as I have told you before. Probably a permanent holiday: I don't expect I shall return. in fact, I don't mean to, and I have made all arrangements....
I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread. That can't be right. I need a change, or something.'
Bilbo”
― Lord of the Rings Slipcase
I feel all thin, sort of stretched, if you know what I mean: like butter that has been scraped over too much bread. That can't be right. I need a change, or something.'
Bilbo”
― Lord of the Rings Slipcase
“In my dream I apologize to everyone I meet. Instead of introducing myself, I apologize for not knowing why I am alive. I am sorry. I am sorry. I apologize. In real life, oddly enough, when I am fully awake and out and about, if I catch someone’s eye, I quickly look away. Perhaps this too is a form of apology. Perhaps this is the form apologies take in real life. In real life the looking away is the apology, despite the fact that when I look away I almost always feel guilty; I do not feel as if I have apologized. Instead I feel as if I have created a reason to apologize, I feel the guilt of having ignored that thing—the encounter. I could have nodded, I could have smiled without showing my teeth. In some small way I could have wordlessly said, I see you seeing me and I apologize for not knowing why I am alive. I am sorry. I am sorry. I apologize. Afterwards, after I have looked away, I never feel as if I can say, Look, look at me again so that I can see you, so that I can acknowledge that I have seen you, so that I can see you and apologize.”
― Don’t Let Me Be Lonely: An American Lyric
― Don’t Let Me Be Lonely: An American Lyric
“I was not with Maman when she died, and although I had been with three people when they were actually dying, it was when I was at her bedside that I saw Death, the Death of the dance of death, with its bantering grin, the Death of fireside tales that knocks on the door, a scythe in its hand, the Death that comes from elsewhere, strange and inhuman: it had the very face of Maman when she showed her gums in a wide smile of unknowing-ness.”
― Une mort douce
― Une mort douce
“A gust of night pushed its way in the door
and everyone inside wavered once like stalks in a field then resumed their talk.”
― Autobiography of Red
and everyone inside wavered once like stalks in a field then resumed their talk.”
― Autobiography of Red
“...the history of everybody's 20s and 30s, after all, is one of the awareness of doors closing. At one age – very young – it occurs to you that you'll never be a ballet dancer. At a later age, you think you'll never be this, never be that. You make your life around what you have left - what doors haven't closed.”
― Notes to John
― Notes to John
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