Miranda

“I was just thinking if the sex with you is one-tenth as fun as arguing with you. I'll be one happy bastard."

"You'll never find out. You--------"

He kissed me.

~ Jack Travis & Ella Varner”
― Lisa Kleypas, Smooth Talking Stranger

“All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.

Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”

“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”

Another silence. Then, “Why are you facing downward?”

“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”

His face was blank. “Has no one ever told you?”

“No, but I’ve read about it.”

Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”

“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”

She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.

Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.

“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?

Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”

“You are!”

“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”

“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.”
― Lisa Kleypas, Love in the Afternoon

“We can’t make love out here. It’s freezing!” Maryanne cried.

A boyishly beseeching look lit up his eyes. “We would heat up quickly.”

“It’s fine for you,” she protested. “You only need one part of your body, and you’ll be sliding that into warmth.”
― Sharon Page, Black Silk

“She tried to tear herself away from him. The effort broke against his arms that had not felt it. Her fists beat against his shoulders, against his face. He moved one had, took her two wrists, pinned them behind her, under his arm, wrenching her shoulder blades. She twisted her head back. She felt his lips on her breast. She tore herself free…She fought like an animal. But she made no sound. She did not call for help. She heard the echoes of her blows in a gasp of his breath, and she knew that it was a gasp of pleasure…She felt the hatred and his hands; his hands moving over her body, the hands that broke granite. She fought the last convulsion. Then the sudden pain shot up, through her body, to her throat, and she screamed. Then she laid still. It was an act that could be performed in tenderness, as a seal of love, or in contempt, as a symbol of humiliation and conquest. It could be an act of a lover or the act of a soldier violating an enemy woman. He did it as an act of scorn. Not as love, but as defilement. And this made her still and submit…the act of a master taking shameful , contemptuous possession of her was the kind of rapture she had wanted…”
― Ayn Rand, The Fountainhead