OG

“long-distance”
― Roxie Noir, Enemies With Benefits

“She steps into the room and I step in after her, standing against the back wall, behind a few other rows of people, also standing. Violet shoots me another annoyed look, craning her neck to see Montgomery Tanner, our boss, as he goes on about the renovations currently being done at the Bramblebush Inn. Even in heels she’s too short to see over the people in front of us.”
― Roxie Noir, Enemies With Benefits

“I check my email. Once more, nothing from my brother Hayden. My nearly empty glass follows me to my bedroom, and I lie there, half asleep, half woozy from too much alcohol. I run my hand through my hair. I’m back on the Walla Walla. The images are fuzzy, like an old VHS tape. Hayden is asleep, and I gently lift him away, deeper into a nest of paper towels. I turn in the dim light of the ferry bathroom and hold up my hair with one hand. I reach for the scissors and start cutting. Locks fall like autumn leaves over the dingy countertop and into the bottom of the pitted white sink. I cut, and I cut. Tears roll down my cheeks, but I don’t make a sound. I open a box of dye and apply it with the thin plastic gloves that come in the box. I smell the chemicals as my hair eclipses from brown to blond. I rinse in the sink, the acrid odor wafting through the still air of the bathroom. I tear a ream of paper towels to wring out the water and then, in what I think is a brilliant move, I turn on the hand dryer and rotate my head against the hot spray of air. I am in Maui. I am in Tahiti. I’m on the beach and I have a tan. A handsome boy looks at me and I smile. The dryer stops, and I look in the mirror and I see her. Mom. I look just like my mother. It was unintended genius. Hayden, now awake, seems to agree. “I miss Mom. Do you think they found Dad?” I indicate the second box of hair dye. “Your turn, Hayden.” He climbs up on the counter and lays his head in the sink as I wet his hair with lukewarm water. It reminds me of when he was a baby and Mom washed him in the sink instead of the tub. He scrunches his eyes shut as I rub in the dye. When I’m done, he will be transformed. He’ll no longer be the little boy with the shock of blond hair, the one that makes him look like he’s stepped out of the page of a cute kids’ clothing website. I look down at the name on the dye box.”
― Gregg Olsen, Snow Creek

“I”
― Rhiannon Futch, Sin on a Dark Knight