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“Je ne passe jamais devant un fétiche de bois, un Bouddha doré, une idole mexicaine sans me dire: C'est peut-être le vrai dieu.”
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“Bemerkung: In der Mathematik is die Bescheidenheit eminent fruchtbar. Das Fruchtbare ist, die scheinbar nichtssagenden un trivialen Theoreme immer wieder hin und her zu wenden, bis man sie vollkommen versteht. Die Wissenschaft, bei welcher die Oberflächlichkeit am wenigsten angebracht ist, ist die Mathematik.”
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“Bemerkung: Es ist eine allgemeine Tatsache, dass, wenn man auf etwas direkt losgeht, meistens das Gegenteil erreicht wird.
1. Wer alles in allen Wissenschaften wissen will, weiß in keiner etwas.
2. Wer alles auf jeden Fall am besten machen will, macht überhaupt nichts.
3. Wer nichts von allem, was er hört oder ihm einfällt, verlieren will, erreicht überhaupt nichts.
4. Eudaimonismus.
5. Wer in seinem Beruf verdienen will, muss such in erster Linie für den Beruf und nicht fürs Verdienen interessieren.”
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1. Wer alles in allen Wissenschaften wissen will, weiß in keiner etwas.
2. Wer alles auf jeden Fall am besten machen will, macht überhaupt nichts.
3. Wer nichts von allem, was er hört oder ihm einfällt, verlieren will, erreicht überhaupt nichts.
4. Eudaimonismus.
5. Wer in seinem Beruf verdienen will, muss such in erster Linie für den Beruf und nicht fürs Verdienen interessieren.”
―
“Rosencrantz: We might as well be dead. Do you think death could possibly be a boat?
Guildenstern: No, no, no... Death is...not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being. You can't not-be on a boat.
Rosencrantz: I've frequently not been on boats.
Guildenstern: No, no, no--what you've been is not on boats.”
― Rosencrantz and Guildenstern Are Dead
Guildenstern: No, no, no... Death is...not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being. You can't not-be on a boat.
Rosencrantz: I've frequently not been on boats.
Guildenstern: No, no, no--what you've been is not on boats.”
― Rosencrantz and Guildenstern Are Dead
“He read a lot, but what he read, and not just that but everything he saw, films and paintings, he translated into feeling. And this feeling, which could not immediately be expressed in words, not yet and maybe never, that formless mass of sentiments, impressions, observations — that was his way of thinking. You could circle around it with words, but there always remained far more that was not expressed than was. And later, too, a certain resentment would take possession of him, toward those people who demanded precise answers, or pretended to be able to give them. It was, on the contrary, the very mystery of everything that was so attractive. You should not want to impose too much order on it. If you did, something would be lost irrevocably. That mysteries can become more mysterious if you think about them with precision and method, he did not yet know. He felt at home in his sentimental chaos. To chart it you had to be an adult, but then you were at once labelled, finished, and in effect already a little dead.”
― Rituals
― Rituals
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