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“When we came here, we came from our mothers and our sweethearts. We were still used to our mothers with their work-hard arms that could clout the strongest of us and leave our ears ringing. And we courted our sweethearts in the country way. Slow, with the fields that ripen at harvest. Fierce, with the sows that rut the earth. Here, without women, with only our imaginations and a handful of whores, we can’t remember what it is about women that can turn a man through passion into something holy. Bible words again, but I am thinking of my father, who shaded his eyes on those sunburnt evenings and learned to take his time with my mother. I am thinking of my mother with her noisy heart and of all the women waiting in the fields for the men who drowned yesterday and all the mothers’ sons who have taken their place.
We never think of them here. We think of their bodies and now and then we talk about home but we don’t think of them as they are; the most solid, the best loved, the well known.
They go on. Whatever we do or undo, they go on.”
―
We never think of them here. We think of their bodies and now and then we talk about home but we don’t think of them as they are; the most solid, the best loved, the well known.
They go on. Whatever we do or undo, they go on.”
―
“Last year Villanelle came by in her boat, as close as she could get, and let off fireworks. One exploded so high that I almost touched it and for a second, I thought I might drop down after those falling rays and touch her too, once more. Once more, what difference could it make to be near her again? Only this. That if I start to cry, I will never stop.”
―
―
“When I think of that night, here in this place where I will always be, my hands tremble and my muscles ache. I lose all sense of day or night, I lose all sense of my work, writing this story, trying to convey to you what really happened. Trying not to make up too much. I can think of it by mistake, my eyes blurring the words in front of me, my pen lifting and staying lifted, I can think of it for hours, and yet it is always the same moment I think of. Her hair as she bent over me, red with streaks of gold, her hair on my face and chest and looking up at her through her hair. She let it fall over me and I felt I was lying in the long grass, safe.”
―
―
“The body clings to life at any cost. It even eats itself. When there’s no food, it turns cannibal and devours its fat, then its muscle then its bones. I’ve seen soldiers, mad with hunger and cold, chop off their own arms and cook them. How long could you go on chopping? Both arms. Both legs. Ears. Slices from the trunk. You could chop yourself down to the very end and leave the heart to beat in its ransacked palace.
No. Take the heart first. Then you don’t feel the cold so much. The pain so much. With the heart gone, there’s no reason to stay your hand. Your eyes can look on death and not tremble. It’s the heart that betrays us, makes us weep, makes us bury our friends when we should be marching ahead. It’s the heart that sickens us at night and makes us hate who we are. It’s the heart that sings old songs and brings memories of warm days and makes us waver at another mile, another smoldering village.
To survive the zero winter and that war we made a pyre of our hearts and put them aside forever. There’s no pawnshop for the heart. You can’t take it in and leave it awhile in a clean cloth and redeem it in better times.
You can’t make sense of your passion for life in the face of death, you can only give up your passion. Only then can you begin to survive.
And if you refuse?
If you felt for every man you murdered, every life you broke in two, every slow and painful harvest you destroyed, every child whose future you stole, madness would throw her noose around your neck and lead you into the dark woods where the rivers are polluted, and the birds are silent.
When I say I lived with heartless men, I use the word correctly.”
―
No. Take the heart first. Then you don’t feel the cold so much. The pain so much. With the heart gone, there’s no reason to stay your hand. Your eyes can look on death and not tremble. It’s the heart that betrays us, makes us weep, makes us bury our friends when we should be marching ahead. It’s the heart that sickens us at night and makes us hate who we are. It’s the heart that sings old songs and brings memories of warm days and makes us waver at another mile, another smoldering village.
To survive the zero winter and that war we made a pyre of our hearts and put them aside forever. There’s no pawnshop for the heart. You can’t take it in and leave it awhile in a clean cloth and redeem it in better times.
You can’t make sense of your passion for life in the face of death, you can only give up your passion. Only then can you begin to survive.
And if you refuse?
If you felt for every man you murdered, every life you broke in two, every slow and painful harvest you destroyed, every child whose future you stole, madness would throw her noose around your neck and lead you into the dark woods where the rivers are polluted, and the birds are silent.
When I say I lived with heartless men, I use the word correctly.”
―
“And then I saw that the running away was a running towards. An effort to catch up with my fleet-footed self, living another life in a different way.”
―
―
Q&A with Alexander McCall Smith
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THIS Q&A HAS CONCLUDEDBest-selling author Alexander McCall Smith joined Goodreads fans for a Q&A and group chat May 10-17, 2010. The official Q&A is n ...more
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Goodreads Librarians are volunteers who help ensure the accuracy of information about books and authors in the Goodreads' catalog. The Goodreads Libra ...more
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A place for iSchool students and alums to congregate and share a love of books.
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This is a group for students enrolled in the University of Washington iSchool's LIS 524: Adult Readers Services in the Public Library. This is a priva ...more
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Networking for authors, beta readers, editors, reviewers, and book bloggers.
Bonnie’s 2025 Year in Books
Take a look at Bonnie’s Year in Books, including some fun facts about their reading.
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