Jessica
https://www.goodreads.com/quinas
“Life While-You-Wait.
Performance without rehearsal.
Body without alterations.
Head without premeditation.
I know nothing of the role I play.
I only know it’s mine. I can’t exchange it.
I have to guess on the spot
just what this play’s all about.
Ill-prepared for the privilege of living,
I can barely keep up with the pace that the action demands.
I improvise, although I loathe improvisation.
I trip at every step over my own ignorance.
I can’t conceal my hayseed manners.
My instincts are for happy histrionics.
Stage fright makes excuses for me, which humiliate me more.
Extenuating circumstances strike me as cruel.
Words and impulses you can’t take back,
stars you’ll never get counted,
your character like a raincoat you button on the run —
the pitiful results of all this unexpectedness.
If only I could just rehearse one Wednesday in advance,
or repeat a single Thursday that has passed!
But here comes Friday with a script I haven’t seen.
Is it fair, I ask
(my voice a little hoarse,
since I couldn’t even clear my throat offstage).
You’d be wrong to think that it’s just a slapdash quiz
taken in makeshift accommodations. Oh no.
I’m standing on the set and I see how strong it is.
The props are surprisingly precise.
The machine rotating the stage has been around even longer.
The farthest galaxies have been turned on.
Oh no, there’s no question, this must be the premiere.
And whatever I do
will become forever what I’ve done.”
― Map: Collected and Last Poems
Performance without rehearsal.
Body without alterations.
Head without premeditation.
I know nothing of the role I play.
I only know it’s mine. I can’t exchange it.
I have to guess on the spot
just what this play’s all about.
Ill-prepared for the privilege of living,
I can barely keep up with the pace that the action demands.
I improvise, although I loathe improvisation.
I trip at every step over my own ignorance.
I can’t conceal my hayseed manners.
My instincts are for happy histrionics.
Stage fright makes excuses for me, which humiliate me more.
Extenuating circumstances strike me as cruel.
Words and impulses you can’t take back,
stars you’ll never get counted,
your character like a raincoat you button on the run —
the pitiful results of all this unexpectedness.
If only I could just rehearse one Wednesday in advance,
or repeat a single Thursday that has passed!
But here comes Friday with a script I haven’t seen.
Is it fair, I ask
(my voice a little hoarse,
since I couldn’t even clear my throat offstage).
You’d be wrong to think that it’s just a slapdash quiz
taken in makeshift accommodations. Oh no.
I’m standing on the set and I see how strong it is.
The props are surprisingly precise.
The machine rotating the stage has been around even longer.
The farthest galaxies have been turned on.
Oh no, there’s no question, this must be the premiere.
And whatever I do
will become forever what I’ve done.”
― Map: Collected and Last Poems
“No one feels good at four in the morning.
If ants feel good at four in the morning
—three cheers for the ants.”
―
If ants feel good at four in the morning
—three cheers for the ants.”
―
“-A Word On Statistics-
Out of every hundred people,
those who always know better:
fifty-two.
Unsure of every step:
almost all the rest.
Ready to help,
if it doesn't take long:
forty-nine.
Always good,
because they cannot be otherwise:
fourwell, maybe five.
Able to admire without envy:
eighteen.
Led to error
by youth (which passes):
sixty, plus or minus.
Those not to be messed with:
four-and-forty.
Living in constant fear
of someone or something:
seventy-seven.
Capable of happiness:
twenty-some-odd at most.
Harmless alone,
turning savage in crowds:
more than half, for sure.
Cruel
when forced by circumstances:
it's better not to know,
not even approximately.
Wise in hindsight:
not many more
than wise in foresight.
Getting nothing out of life except things:
thirty
(though I would like to be wrong).
Balled up in pain
and without a flashlight in the dark:
eighty-three, sooner or later.
Those who are just:
quite a few, thirty-five.
But if it takes effort to understand:
three.
Worthy of empathy:
ninety-nine.
Mortal:
one hundred out of one hundred
a figure that has never varied yet.”
―
Out of every hundred people,
those who always know better:
fifty-two.
Unsure of every step:
almost all the rest.
Ready to help,
if it doesn't take long:
forty-nine.
Always good,
because they cannot be otherwise:
fourwell, maybe five.
Able to admire without envy:
eighteen.
Led to error
by youth (which passes):
sixty, plus or minus.
Those not to be messed with:
four-and-forty.
Living in constant fear
of someone or something:
seventy-seven.
Capable of happiness:
twenty-some-odd at most.
Harmless alone,
turning savage in crowds:
more than half, for sure.
Cruel
when forced by circumstances:
it's better not to know,
not even approximately.
Wise in hindsight:
not many more
than wise in foresight.
Getting nothing out of life except things:
thirty
(though I would like to be wrong).
Balled up in pain
and without a flashlight in the dark:
eighty-three, sooner or later.
Those who are just:
quite a few, thirty-five.
But if it takes effort to understand:
three.
Worthy of empathy:
ninety-nine.
Mortal:
one hundred out of one hundred
a figure that has never varied yet.”
―
“You just do it. You force yourself to get up. You force yourself to put one foot before the other, and God damn it, you refuse to let it get to you. You fight. You cry. You curse. Then you go about the business of living. That’s how I’ve done it. There’s no other way.”
―
―
“Inspiration is not the exclusive privilege of poets or artists. There is, there has been, there will always be a certain group of people whom inspiration visits. It's made up of all those who've consciously chosen their calling and do their job with love and imagination…Difficulties and setbacks never quell their curiosity. A swarm of new questions emerges from every problem that they solve. Whatever inspiration is, it's born from a continuous 'I don't know.”
―
―
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