Guoda

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Jonas Mekas
“I read a lot. I listen a lot. I think a lot. But so little remains. The books I read, their plots, their protagonists fade. The university lectures that I had found pretty impressive on first hearing, have faded away. Now I am listening to one on Pirandello. Names of people, books, cities. They are already fading away. Even the titles of films I’ve seen recently — they have already faded. Authors of thousands of books I’ve read... All that remains are the colours of their bindings, their covers. I don’t remember much about Beauty and the Beast, but I remember clearly, vividly the hear of the day as we were crossing the Rhine bridge, to see the film. Everything that I see, or red, or listen to, connects, translates into moods, bits of surroundings, colors. No, I am not a novelist. No precision of observation, detail. With me, everything is mood, mood, or else —simply nothingness.”
Jonas Mekas, I Had Nowhere to Go

Albert Camus
“The literal meaning of life is whatever you're doing that prevents you from killing yourself.”
Albert Camus

Ričardas Gavelis
“Abu pražudėm savo kibirkštį, abu pakilom skrydžiui ir tėškėmės į žemę toli toli nuo tikslo.”
Ričardas Gavelis, Jauno žmogaus memuarai: Keturiolikos laiškų romanas

Marina Abramović
“For the first three months, I place each student at a table with a thousand pieces of white paper and a trash can underneath. Every day they have to sit at the table for several hours and write ideas. They put the ideas they like on the right side of the table; the ones they don’t like, they put in the trash. But we don’t throw out the trash. After three months, I only take the ideas from the trash can. I don’t even look at the ideas they liked. Because the trash can is a treasure trove of things they’re afraid to do.”
Marina Abramović, Walk Through Walls: A Memoir

Olga Tokarczuk
“Your memory creates postcard images, but it doesn't really comprehend the world at all. That's why a landscape is so affected by the mood of the person looking at it. In it a person sees his own inner, transitory moments. Wherever he looks, he sees nothing but himself.”
Olga Tokarczuk, House of Day, House of Night

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