k i k a

“But if art is not a dangerous adventure, then what is it, and what is its justification? No, free artists cannot enjoy comfort any more than free people can. Free artists are those who, with great difficulty, create order themselves. The more chaos they must bring order to, the stricter their rules will be, and the more they will have affirmed their freedom. Gide said something that I have always agreed with, even though it might be misunderstood: “Art lives from constraint and dies from freedom.” That is true, but we must not draw the conclusion that art should be controlled. Art only lives through the constraints it places upon itself: it dies from any others. On the other hand, if art does not control itself, it descends into madness and is enslaved by its own illusions. The most liberated form of art, and the most rebellious, will thus be the most enduring; it will glorify the greatest effort. If a society and its artists do not accept this long, liberating task, if they yield to the comforts of entertainment or conformity, to the diversions of art for art’s sake or the moralizing of realistic art, its artists will remain entrenched in nihilism and sterility. Saying this means that a rebirth in art today depends on our courage and our desire to see clearly.”
― Albert Camus, Create Dangerously

“I’ve been driving on the fine line between ultimate freedom and complete and utter loneliness. Some nights, if I’m too tired to drive, I pull over on the side of the road and watch the shooting stars from my sunroof until I fall asleep. My phone doesn’t have service out here, so I often have only the compass app to navigate. I get lost time and time again, but somehow I end up exactly where I need to be.”
― Julia Fox, Down the Drain

“Artists choose their purpose as much as they are chosen by that purpose. In a certain way, art is a revolt against the world in that it encompasses what is fleeting and unfinished: art does not, therefore, take on anything more than the purpose of giving another shape to a reality that it is, nevertheless, constrained to conserve, because reality is the source of art’s emotion. In this respect, we are all realists and no one is a realist. Art is neither total rejection nor total acceptance of what is. It is both rejection and acceptance, at one and the same time, and that is why it can be continually and perpetually torn apart. Artists always find themselves dealing with this ambiguity, incapable of rejecting what is real, yet still devoted to challenging the ever-unfinished aspects of reality.”
― Albert Camus, Create Dangerously

“As I belonged nowhere on the conventional spectrum of sexual orientation, I allowed people to assume I was heterosexual, and I suppose I was, as all planes are male in spirit, just as all boats are female, and helicopters possess the souls of mischievous children.”
― Kate Folk, Sky Daddy