Mariana

“By the time we grow up we become masters at dissimulation, at cultivating a self that the world cannot probe. But we pay a price. After years of turning people away, of protecting our inner self, of cultivating it by living in a different world, of furnishing this world with our fantasies and dreams—lo and behold we find that we are hopelessly separated from everyone else. We have become victims of our own art. We touch people on the outsides of their bodies, and they us, but we cannot get at their insides and cannot reveal our insides to them. This is one of the great tragedies of our interiority—it is utterly personal and unrevealable. Often we want to say something unusually intimate to a spouse, a parent, a friend, communicate something of how we are really feeling about a sunset, who we really feel we are—only to fall strangely and miserably flat. Once in a great while we succeed, sometimes more with one person, less or never with others. But the occasional break-through only proves the rule. You reach out with a disclosure, fail, and fall back bitterly into yourself. We emit huge globs of love to our parents and spouses, and the glob slithers away in exchange of words that are somehow beside the point of what we are trying to say. People seem to keep bumping up against each other with their exteriors and falling away from each other. The cartoonist Jules Feiffer is the modern master of this aspect of the human tragedy. Take even the sexual act—the most intimate merger given to organisms. For most people, even for their entire lives, it is simply a joining of exteriors. The insides melt only in the moment of orgasm, but even this is brief, and a melting is not a communication. It is a physical overcoming of separateness, not a symbolic revelation and justification of one’s interior. many people pursue sex precisely because it is a mystique of the overcoming of the separateness of the inner world, and they go from one partner to another because they can never quite achieve “it." So the endless interrogations: “What are you thinking about right now—me? Do you feel what I feel? Do you love me?”
― Becker Ernest

“I wouldn't mind the early autumn
if you came home today
I'd tell you how much I miss you
and know I'd be okay.

It's funny how we never know
exactly how our life will go
It's funny how a dream can fade
with the break of day.

Time can't erase the memory
and time can't bring you home
Last Summer was a part of me
and now a part is gone.

—Margaret”
― Jacqueline Woodson, Last Summer with Maizon

“Jessamine recoiled from the paper as if it were a snake. "A lady does not read the newspaper. The society pages, perhaps, or the theater news. Not this filth."
"But you are not a lady, Jessamine---," Charlotte began.
"Dear me," said Will. "Such harsh truths so early in the morning cannot be good for the digestion.”
― Cassandra Clare, Clockwork Angel