“Is it possible that existence is our exile and nothingness our home?”
― Tears and Saints
― Tears and Saints
“Just as the desperate, terminally ill cancer patient often turns to expensive placebos for an imaginary chance at more life, the desperate, terminally alive sad people turn to expensive placebos for a chance to imagine a decent life.”
― Every Cradle is a Grave: Rethinking the Ethics of Birth and Suicide
― Every Cradle is a Grave: Rethinking the Ethics of Birth and Suicide
“Living outside of any story―living without hope for the future, without the belief that one is part of a narrative―is confusing. It's hard to get anything done when nothing has a point. For any not-immediately-pleasurable action (or inaction) I contemplate―getting up in the morning, vacuuming, answering the phone―there is no readily-available answer to the ever-present question in my mind: "why?" At least, there is no long-term "why.”
― Every Cradle is a Grave: Rethinking the Ethics of Birth and Suicide
― Every Cradle is a Grave: Rethinking the Ethics of Birth and Suicide
“At its most elemental level the human organism, like crawling life, has a mouth, digestive tract, and anus, a skin to keep it intact, and appendages with which to acquire food. Existence, for all organismic life, is a constant struggle to feed-a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh. I think this is why the epoch of the dinosaurs exerts such a strange fascination on us: it is an epic food orgy with king-size actors who convey unmistakably what organisms are dedicated to. Sensitive souls have reacted with shock to the elemental drama of life on this planet, and one of the reasons that Darwin so shocked his time-and still bothers ours-is that he showed this bone crushing, blood-drinking drama in all its elementality and necessity: Life cannot go on without the mutual devouring of organisms. If at the end of each person’s life he were to be presented with the living spectacle of all that he had organismically incorporated in order to stay alive, he might well feel horrified by the living energy he had ingested. The horizon of a gourmet, or even the average person, would be taken up with hundreds of chickens, flocks of lambs and sheep, a small herd of steers, sties full of pigs, and rivers of fish. The din alone would be deafening. To paraphrase Elias Canetti, each organism raises its head over a field of corpses, smiles into the sun, and declares life good.”
― Escape from Evil
― Escape from Evil
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