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aditi (taylor's version)
“There’s nowhere in existence you could go that I wouldn’t find you, Violence.”
― Fourth Wing
― Fourth Wing
“Hope is a fickle, dangerous thing. It steals your focus and aims it toward the possibilities instead of keeping it where it belongs—on the probabilities.”
― Fourth Wing
― Fourth Wing
“Fascinating. You look all frail and breakable, but you’re really a violent little thing, aren’t you?”
― Fourth Wing
― Fourth Wing
“She moaned into her pillow. "Go away. I feel like dying."
"No fair maiden should die alone," he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?"
She snatched her hand back. "How about the story of the idiotic prince who won't leave the assassin alone?"
"Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it's worth reading through all of their ceaseless banter!”
― Throne of Glass
"No fair maiden should die alone," he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?"
She snatched her hand back. "How about the story of the idiotic prince who won't leave the assassin alone?"
"Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it's worth reading through all of their ceaseless banter!”
― Throne of Glass
“That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again.”
― Heir of Fire
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again.”
― Heir of Fire
aditi (taylor's version)’s 2024 Year in Books
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168 books
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