Mose Latson

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Ernest J. Gaines
“It came from a piece of old wood that he found in the yard somewhere. That's what we all are, Jefferson, all of us on this earth, a piece of drifting wood, until we—each one of us, individually—decide to become something else. I am still that piece of drifting wood, and those out there are no better. But you can be better. Because we need you to be and want you to be.”
Ernest J. Gaines, A Lesson Before Dying

Dean Koontz
“Every life is complicated, every mind a kingdom of unmapped mysteries.”
Dean Koontz, Forever Odd

David McCullough
“What was most striking about the long course of human events, Truman had concluded from his reading of history, were its elements of continuity, including, above all, human nature, which had changed little if at all through time. “The only new thing in the world is the history you don’t know,” he would one day tell an interviewer.”
David McCullough, Truman

Boris Pasternak
“Contemporary trends of thought have imagined art to be a fountain, whereas it is a sponge. They have decided that art ought to gush forth, whereas it should absorb and become saturated. They think it can be broken down into means of depiction, whereas it is composed of organs of perception. Its proper task is to be always among the spectators and to look more purely, receptively and faithfully than all others.”
Boris Pasternak

James Joyce
“Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO
DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.”
James Joyce, Ulysses

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