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Anaïs Nin
“The potion drunk by lovers is prepared by no one but themselves. The potion is the sum of one's whole existence. Every word spoken in the past accumulated forms and color in the self. What flows through the veins besides blood is the distillation of every act committed, the sediment of all the visions, wishes, dreams, and experiences. All the past emotions converge to tint the skin and flavor the lips, to regulate the pulse and produce crystals in the eyes.
The fascination exerted by one human being over another is not what he emits of his personality at the present instant of encounter but a summation of his entire being which gives off this powerful drug capturing the fancy and attachment.
No moment of charm without long roots in the past, no moment of charm is born on bare soil, a careless accident of beauty, but is the sum of great sorrows, growths, and efforts.

But love, the great narcotic, was the hothouse in which all the selves burst into their fullest bloom . . .”
Anaïs Nin

William Shakespeare
“Thus weary of the world, away she hies,
And yokes her silver doves; by whose swift aid
Their mistress mounted through the empty skies
In her light chariot quickly is convey'd;
Holding their course to Paphos, where their queen
Means to immure herself and not be seen.”
William Shakespeare, Venus and Adonis

Joan Didion
“On the flight to LaGuardia I remember thinking that the most beautiful things I had ever seen had all been seen from airplanes. The way the American west opens up. The way in which, on a polar flight across the Arctic, the islands in the sea give way imperceptibly to lakes on the land. The sea between Greece and Cyprus in the morning. The Alps on the way to Milan. I saw all those things with John. How could I go back to Paris without him, how could I go back to Milan, Honolulu, Bogotá? I couldn’t even go to Boston.”
Joan Didion

Alice Munro
“Always remember that when a man goes out of the room, he leaves everything in it behind... When a woman goes out she carries everything that happened in the room along with her.”
Alice Munro, Too Much Happiness: Stories

Hélène Cixous
“And why don't you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great-that is for "great men"; and it's "silly."

Besides, you've written a little, but in secret. And it wasn't good, because it was in secret, and because you punished yourself for writing, because you didn't go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time.”
Hélène Cixous, The Laugh of the Medusa

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