“I was forced to acknowledge too late, much too late, that I too had loved, that I was capable of suffering, and that I was human after all.”
― I Who Have Never Known Men
― I Who Have Never Known Men
“By crossing into a space whose curvature is no longer that of the real, nor that of truth, the era of simulation is inaugurated by a liquidation of all referentials - worse: with their artificial resurrection in the systems of signs, a material more malleable than meaning, in that it lends itself to all systems of equivalences, to all binary oppositions, to all combinatory algebra. It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real for the real, that is to say of an operation of deterring every real process via its operational double, a programmatic, metastable, perfectly descriptive machine that offers all the signs of the real and shortcircuits all its vicissitudes.”
― Simulacra and Simulation
― Simulacra and Simulation
“I have no use for a theoretic freedom. Let me have something finite, definite — matter that can lend itself to my operation only insofar as it is commensurate with my possibilities. And such matter presents itself to me together with limitations. I must in turn impose mine upon it. So here we are, whether we like it or not, in the realm of necessity. And yet which of us has ever heard talk of art as other than a realm of freedom? This sort of heresy is uniformly widespread because it is imagined that art is outside the bounds of ordinary activity. Well, in art as in everything else, one can build only upon a resisting foundation: whatever constantly gives way to pressure, constantly renders movement impossible.
My freedom thus consists in my moving about within the narrow frame that I have assigned myself for each one of my undertakings.
I shall go even further: my freedom will be so much the greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles. Whatever diminishes constraint, diminishes strength. The more constraints one imposes, the more one frees one’s self of the chains that shackle the spirit.”
― Poetics of Music in the Form of Six Lessons
My freedom thus consists in my moving about within the narrow frame that I have assigned myself for each one of my undertakings.
I shall go even further: my freedom will be so much the greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles. Whatever diminishes constraint, diminishes strength. The more constraints one imposes, the more one frees one’s self of the chains that shackle the spirit.”
― Poetics of Music in the Form of Six Lessons
Virago Modern Classics
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— last activity Apr 16, 2026 10:46PM
But once a woman stole the initiative, plundered the perquisites and took the lead, what happened to the globe? The fabric cracked [Daphne du Maurier] ...more
Political Philosophy and Ethics
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Study and discussion of the important questions of ethical and political philosophy from Confucius and Socrates to the present. Rules (see also the ...more
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