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The Picture of Do...
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Michelle Zauner
“I had thought fermentation was controlled death. Left alone, a head of cabbage molds and decomposes. It becomes rotten, inedible. But when brined and stored, the course of its decay is altered. Sugars are broken down to produce lactic acid, which protects it from spoiling. Carbon dioxide is released and the brine acidifies. It ages. Its color and texture transmute. Its flavor becomes tarter, more pungent. It exists in time and transforms. So it is not quite controlled death, because it enjoys a new life altogether.
The memories I had stored, I could not let fester. Could not let trauma infiltrate and spread, to spoil and render them useless. They were moments to be tended. The culture we shared was active, effervescent in my gut and in my genes, and I had to seize it, foster it so it did not die in me. So that I could pass it on someday. The lessons she imparted, the proof of her life lived on in me, in my every move and deed. I was what she left behind. If I could not be with my mother, I would be her.”
― Michelle Zauner, Crying in H Mart

Michelle Zauner
“All these objects seemed orphaned by her loss, or just devolved into objects, matter, impedimenta. What once had a purpose transformed into a blockage. The bowls once reserved for their own specific meals were now just dishes to be sorted, obstacles in my path to leave. The candleholder I used to pretend was a magical urn as a child, a key plot point in my imaginary narratives, now just another thing to throw away.”
― Michelle Zauner, Crying in H Mart

Ocean Vuong
“His voice -
it filled me to the core
like a skeleton. Even my name
knelt down inside me, asking
to be spared.”
― Ocean Vuong, Night Sky with Exit Wounds

John Steinbeck
“Well, maybe like Casy says, a fella ain't got a soul of his own, but on'y a piece of a big one an' then—"
"Then what, Tom?"
"Then it don' matter. Then I'll be all aroun' in the dark. I'll be ever'where wherever you look. Wherever they's a fight so hungry people can eat, I'll be there. Wherever they's a cop beatin' up a guy, I'll be there. If Casy knowed, why, I'll be in the way guys yell when they're mad an'—I'll be in the way kids laugh when they're hungry an' they know supper's ready. An' when our folks eat the stuff they raise an' live in the houses they build-why, I'll be there. See?”
― John Steinbeck, The Grapes of Wrath

Ocean Vuong
“In Vietnamese, the word for missing someone and remembering them is the same: nhớ. Sometimes, when you ask me over the phone, Có nhớ mẹ không? I flinch, thinking you meant, Do you remember me?

I miss you more than I remember you.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

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