havies_tea

“Jeremy meant to laugh or agree. What he said was, “You look good.” When Jean went still as stone, Jeremy hurried to correct himself with, “It looks good on you, I mean. But I get it—not the most comfortable thing to wear.”
― Nora Sakavic, The Golden Raven

“Repeat after me: I didn’t deserve what they did to me.”​
Rhemann didn’t know what he was asking; he didn’t know what this would cost. Panic chewed a line from Jean’s gut to his heart. He couldn’t refuse a coach’s direct order, but he could beg: “Please don’t make me, Coach.”
​“I need you to say it and mean it, Jean,” Rhemann said. “Please.”​
Please was so uncalled-for Jean could only stare at him, heart hammering louder than his thoughts. He could feel every chain straining, waiting for the words that would rend them powerless at last. He was afraid to open his mouth again lest he get sick, but at length managed a hesitant, “I didn’t deserve—” heavy hands, heavier racquets, dark rooms, darker blood, teeth and knives and drowning, I’m drowning, I’m drowning “—what they did to me.”
― Nora Sakavic, The Golden Raven

“Write a short story every week. It's not possible to write 52 bad short stories in a row.”
― Ray Bradbury

“I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.”
― Christopher Hitchens, Hitch 22: A Memoir