Hiro

“An industrial map in the mid-twentieth century colored New York’s Hudson River black. The mapmakers considered a black river a good thing—full of industry! The more factory outputs, the more progress. When that map was made, “nature” was widely seen as a resource to be exploited. Few people considered the consequences of careless disposal of industrial waste. The culture has shifted dramatically over the last fifty years. When I share this story today, most people shudder and ask how anyone could think of a polluted river as good.   But today we are doing the same thing with the river of culture. Think of the arts and other cultural enterprises as rivers that water the soil of culture. We are painting this cultural river black—full of industry, dominated by commercial interests, careless of toxic byproducts—and there are still cultural mapmakers who claim that this is a good thing. The pollution makes it difficult to for us to breathe, difficult for artists to create, difficult for any of us to see beauty through the murk.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for our Common Life