Kevin Gunn

“take a few quiet moments to soak in these closing words, so eloquently expressed by Alister McGrath, and let them become an impetus toward your adventure of a lifetime: Many have found that the awesome sight of the star-studded heavens evoke a sense of wonder, an awareness of transcendence, that is charged with spiritual significance. Yet the distant shimmering of stars does not itself create this sense of longing; it merely exposes what is already there. They are catalysts for our spiritual insights, revealing our emptiness and compelling us to ask whether and how this void might be filled. Might our true origins and destiny somehow lie beyond those stars? Might there not be a homeland, from which we are presently exiled and to which we secretly long to return? Might not our accumulation of discontentment and disillusionment with our present existence be a pointer to another land where our true destiny lies and which is able to make its presence felt now in this haunting way? Suppose that this is not where we are meant to be but that a better land is at hand? We don’t belong here. We have somehow lost our way. Would not this make our present existence both strange and splendid? Strange, because it is not where our true destiny lies; splendid, because it points ahead to where that real hope might be found. The beauty of the night skies or a glorious sunset are important pointers to the origins and the ultimate fulfillment of our heart’s deepest desires. But if we mistake the signpost for what is signposted, we will attach our hopes and longings to lesser goals, which cannot finally quench our thirst for meaning.”
― Lee Strobel, The Case for a Creator: A Journalist Investigates Scientific Evidence That Points Toward God

“Contamination from plastic pollution is a terrestrial problem as much as it is a marine problem. Humans have altered the earth with roads, mines, buildings, ditches, dams, and dumps to the degree that our era deserves a name--the Anthropocene. Natural history is punctuated by changes in life, due either to rapid evolution or catastrophic extinction, and evidence of change is sometimes marked by well-preserved, widely distributed fossils. What is our fossil equivalent? Some suggest it's black carbon from the Industrial Revolution, which shows up in the seafloor and ice caps, or it's radioactive isotopes from the mid-twentieth-century nuclear tests. Now, with evidence of plastic, transported by wind and waves, blanketing Earth from the seafloor to the tops of mountains, it is arguable that plastic is the best index fossil that represents us. Even if we stop polluting the planet with plastic today, we will have to live with a layer of microplastics that will represent this moment in natural history, when a single species so deeply affected the planet for a short while.”
― Marcus Eriksen, Junk Raft: An Ocean Voyage and a Rising Tide of Activism to Fight Plastic Pollution

“This is the cornerstone of industry strategy since World War II--eliminate the burden of costs for negative externalities. It was throw-away living in the 1950s. It was crying Indian ads in the 1970s that made consumers feel guilty about littering, distracting them from the more meaningful issue of product design. It was crushing bottle bills across the United States in the 1990s and shifting responsibility for bottle waste from industry to taxpayer-funded recycling programs. Today it's World Bank loans to small countries, so they can buy waste-to-energy incinerators to burn it all and keep new plastic production alive.”
― Marcus Eriksen, Junk Raft: An Ocean Voyage and a Rising Tide of Activism to Fight Plastic Pollution

“I also very purposefully employ the caps button, because they can, in this way, hear us scream in space:”
― Hugh Howey, Beacon 23