Tess

“On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky.

Her skin was blue, her blood was red.

She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair.

Later, they would say these had been hummingbird hearts and not blossoms at all.

They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away.

That was true. Only that.

They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky.

Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead.

She was also blue.

Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.

Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air.

The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up.

The screams went on and on.

And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.”
― Laini Taylor, Strange the Dreamer

“At last, he lifted his face from his sleeves and wiped furiously at his eyes. His voice was still broken as he said, 'I should have you beheaded for seeing me like this.'
It was another flat attempt to get me afraid of him—or perhaps merely a force of habit. But I knew the threat did not have his heart behind it. 'Is that so?'
'Beheaded and worse.'
'Terren, it is not a weakness to be seen.'
There were no knives between us now, no fear, not even enough distance for a sparrow to spread its wings. I looked into his eyes, and though they were older and meaner, there was no question they were the same ones as on the boy I’d seen in the meadow. I looked into them and I saw him.
Maybe it was possible to love somebody that one hated.
Maybe, buried heart-deep, I really did love him. Not the kind of love a wife shared with her husband—that was not possible, after all he’d done to me; I might have borne no scars, but my body still remembered—but the kind of love one human could not help but feel for another when they had to pry away blades to find them.
I did not know what else to call it, if not love.”
― Shen Tao, The Poet Empress

“The moon on a bracelet and the sun in a jar... We really wreak havoc on the heavens, don't we?”
― Laini Taylor, Strange the Dreamer

“I'll tell you a story, I whispered. It always helped me sleep as a child.
He nodded, folding his hands over his lap, and closed his eyes.
There once was a girl, clever and good, who tarried in shadow in the depths of the wood. There also was a King, a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two-
I couldn't go on.
Elspeth.
No. I'm not ready. Not yet.
Finish the story, dear one.
My voice shook. The two were together-
Together.
So the two were the same.
The girl, he whispered, honey and oil and silk.
The King...
We said the final words together, our voices echoing, listless, through the dark. A final note. An eternal farewell. And the monster they became.”
― Rachel Gillig, Two Twisted Crowns