Kyle Gehringer

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The Paper Menager...
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by Ken Liu (Goodreads Author)
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  (page 178 of 450)
Feb 15, 2025 05:38PM

 
Frankenstein in B...
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Servants: A Downs...
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Viet Thanh Nguyen
“Country music was the most segregated kind of music in America, where even whites played jazz and even blacks sang in the opera. Something like country music was what lynch mobs must have enjoyed while stringing up their black victims. Country music was not necessarily lynching music, but no other music could be imagined as lynching’s accompaniment. Beethoven’s Ninth was the opus for Nazis, concentration camp commanders, and possibly President Truman as he contemplated atomizing Hiroshima, classical music the refined score for the high-minded extermination of brutish hordes. Country music was set to the more humble beat of the red-blooded, bloodthirsty American heartland. It was for fear of being beaten to this beat that black soldiers avoided the Saigon bars where their white comrades kept the jukeboxes humming with Hank Williams and his kind, sonic signposts that said, in essence, No Niggers.
Viet Thanh Nguyen, The Sympathizer

Shirley Jackson
“I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had.”
Shirley Jackson, We Have Always Lived in the Castle

Frank Herbert
“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”
Frank Herbert, Dune

Tomás Eloy Martínez
“Somos, así, los libros que hemos leído. O somos, de lo contrario, el vacío que la ausencia de libros ha abierto en nuestras vidas.”
Tomás Eloy Martínez

Masha Gessen
“There was a game called "Work." and on of the most-often-repeated Soviet jokes described it perfectly: "We pretend to work, and they pretend to pay us.”
Masha Gessen, The Future Is History: How Totalitarianism Reclaimed Russia

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