Kyle Gehringer

“Country music was the most segregated kind of music in America, where even whites played jazz and even blacks sang in the opera. Something like country music was what lynch mobs must have enjoyed while stringing up their black victims. Country music was not necessarily lynching music, but no other music could be imagined as lynching’s accompaniment. Beethoven’s Ninth was the opus for Nazis, concentration camp commanders, and possibly President Truman as he contemplated atomizing Hiroshima, classical music the refined score for the high-minded extermination of brutish hordes. Country music was set to the more humble beat of the red-blooded, bloodthirsty American heartland. It was for fear of being beaten to this beat that black soldiers avoided the Saigon bars where their white comrades kept the jukeboxes humming with Hank Williams and his kind, sonic signposts that said, in essence, No Niggers.”
― Viet Thanh Nguyen, The Sympathizer

“There was a game called "Work." and on of the most-often-repeated Soviet jokes described it perfectly: "We pretend to work, and they pretend to pay us.”
― Masha Gessen, The Future Is History: How Totalitarianism Reclaimed Russia

“This society hasn't changed one bit. People who don't fit into the village are expelled: men who don't hunt, women who don't give birth to children. For all we talk about modern society and individualism, anyone who doesn't try to fit in can expect to be meddled with, coerced, and ultimately banished from the village.”
― Sayaka Murata, コンビニ人間 [Konbini ningen]

“I was in close quarters with some representative specimens of the most dangerous creature in the history of the world, the white man in a suit.”
― Viet Thanh Nguyen, The Sympathizer