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Project Hail Mary
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by Andy Weir (Goodreads Author)
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  (page 165 of 476)
Jul 12, 2026 03:08PM

 
The Handmaid's Tale
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by Margaret Atwood (Goodreads Author)
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  (page 19 of 320)
May 14, 2026 05:35PM

 
Design With Nature
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“The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. The reasons for this are threefold: (a) the existing delicately balanced order of nature within the biosphere, or protective envelope of the planet, is being disturbed by the activities of man, and it seems that only his own exertions can restore a balance and ensure survival; (b) these exertions call first for ecosystems that are no more than a return to an efficient animal state of sustained existence; and (c) man's destiny being to rise above the animal state, he creates around him an environment that is a projection into nature of his abstract ideas.”
Geoffrey Jellicoe, The Landscape of Man: Shaping the Enviroment From Prehistory to the Present Day

C.G. Jung
“Primitive man impresses us so strongly with his subjectivity that we should really have guessed long ago that myths refer to something psychic. His knowledge of nature is essentially the language and outer dress of an unconscious psychic process. But the very fact that this process is unconscious gives us the reason why man has thought of everything except the psyche in his attempts to explain myths. (8)”
Carl Gustav Jung

Steven Pressfield
“Honor is connected to many things, but one thing it’s not connected to is happiness. In honor cultures, happiness as we think of it—“life, liberty and the pursuit of happiness”—is not a recognized good. Happiness in honor cultures is the possession of unsullied honor. Everything else is secondary. (18)”
Steven Pressfield, The Warrior Ethos

Elizabeth Gilbert
“Do you have the courage? Do you have the courage to bring forth this work? The treasures that are hidden inside you are hoping you will say yes. (?, Jack Gilbert)”
Elizabeth Gilbert

“Marginalized, “subaltern” or oppressed communities all emanate from the non-reflexive lens, which prioritizes the world views of the mainstream, the colonizer, the oppressor. These embedded predilections create spaces that, at best, do not welcome or make comfortable a diversity of users and, at worst, systematically destroy the structures and networks that historically provided for the non majority’s needs. What happens when we push against that world view? When we center instead the deaf, the indigenous, the immigrant, the blind and the Black experience? We learn how people of wide-ranging abilities and backgrounds feel, smell, touch, remember and navigate the landscape, and we can create a responsive, intentional design that, in serving their needs first, enriches all our experiences. In so doing, we may gain the opportunity to investigate, reveal and coax out what can be called a “sixth sense,” known by some as the magical sense. Temporal, phenomenological, seasonal and sensory aspects of perception lend themselves to creating experiences that can be transformative, invigorating and life affirming. Whether we are acculturated to having five, six or fourteen of them–as landscape architects, we must learn to design for all our senses. (9, Sierra Bainbridge)”
B. Cannon Ivers, 250 Things a Landscape Architect Should Know

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