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Shirley Jackson
“The trees were waiting in the darkness ahead, quietly expectant. A tree is not a human thing, with its feet in the ground and its back hard against the sky; it cannot tolerate the small human tenderness moving beneath, and, not obeying the whims of moveable creatures, can hardly have more pity for a Natalie than for a field mouse or a pheasant, moving with private pride but falling easily. Beneath the trees it was not dark as a room is dark when the lights are put out, the artificial darkness which comes when an artificial light is gone; it was the deep natural darkness which comes with a forsaking of natural light.”
Shirley Jackson, Hangsaman

Zora Neale Hurston
“From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom…It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing she heard that had nothing to do with her ears. The rose of the world was breathing out smell. It followed her through all her waking moments and caressed her in her sleep.”
Zora Neale Hurston, Their Eyes Were Watching God

Shirley Jackson
“Natalie Waite, who was seventeen years old but who felt that she had been truly conscious only since she was about fifteen, lived in an odd corner of the world of sound and sight past the daily voices of her father and mother and their incomprehensible actions. For the past two years—since, in fact, she had turned around suddenly one bright morning and seen from the corner of her eye a person called Natalie, existing, charted, inescapably located on a sport of ground, favored with sense and feet and a bright-red sweater, and most obscurely alive—she had lived completely by herself, allowing not even her father access to the farther places of her mind. She visited strange countries, and the voices of their inhabitants were constantly in her ear; when her father spoke he was accompanied by a sound of distant laughter, unheard probably by anyone else except his daughter.”
Shirley Jackson, Hangsaman

Shirley Jackson
“Her feet brushed the ground- she could feel it, she could feel it- her hair fell soundlessly behind, her long legs arched, and the breath came cold in her throat. The first to awaken, the first to come, misty, into the world, moving through an unpeopled country without a footstep, going up the mountains, touching the still-wet grass with her hands.”
Shirley Jackson, Hangsaman

Shirley Jackson
“The sight of the mountains far away was sometimes so perfectly comprehensible to Natalie that she forced tears into her eyes, or lay on the grass, unable, after a point, to absorb it- she was, of course, adequately hidden from the windows of the house- or to turn it into more than her own capacity for containing it; she was not able to leave the fields and mountains alone where she found them, but required herself to take them in and use them, a carrier of something simultaneously real and unreal to set up against the defiantly real-and-unreal batterings of her family.”
Shirley Jackson, Hangsaman

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Remi
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