Dave

“I reached into my pocket and took the medal and tossed it toward the black opening. It went right in. It disappeared into the darkness.
Then I stepped onto the sidewalk and walked back home. When I got there my parents where doing various cleaning chores. It was a Saturday. Now I had to mow and clip the lawn, water it and the flowers. I changed into my working clothes, went out, and with my father watching me from beneath his dark and evil eyebrows, I opened the garage doors and carefully pulled the mower out backwards, the mower blades not turning then, but waiting.”
― Charles Bukowski, Ham on Rye

“No one who has ever passed through an American public high school could have watched William Jefferson Clinton running for office in 1992 and failed to recognize the familiar predatory sexuality of a the provincial adolescent.”
― Joan Didion, Political Fictions

“In all imaginative writing sympathy for the subject is necessary not because it is the politically correct or morally decent posture to adopt but because an absence of sympathy shuts down the mind: engagement fails, the flow of association dries up, and the work narrows. What I mean by sympathy is simply that level of empathic understanding that endows the subject with dimension. The empathy that allows us, the readers, to see the "other" as the other might see him or herself is the empathy that provides movement in the writing.

When someone writes a Mommie Dearest memoir - where the narrator is presented as an innocent and the subject as a monster - the work fails because the situation remains static. For the drama to deepen, we must see the loneliness of the monster and the cunning of the innocent. Above all, it is the narrator who must complicate in order that the subject be given life.”
― Vivian Gornick, The Situation and the Story: The Art of Personal Narrative

“No one could have missed the reservoir of self-pity, the quickness to blame, the narrowing of the eyes, as if in wildlife documentary, when things did not go his [Clinton] way. That famous tendency of the candidate to take a less than forthcoming approach to embarrassing questions that had already been well documented.”
― Joan Didion, Political Fictions