“For me, photographs of landscape (urban or country) must be habitable, not visitable....Now Freud says of the maternal body that 'there is no other place of which one can say with so much certainty that one has already been there.' Such then would be the essence of the landscape (chosen by desire): heimlich, awakening in me the Mother (and never disturbing Mother).”
― Camera Lucida: Reflections on Photography [Paperback]
― Camera Lucida: Reflections on Photography [Paperback]
“...I am a primitive, a child—or a maniac; I dismiss all knowledge, all culture, I refuse to inherit anything from another eye than my own.”
― Camera Lucida: Reflections on Photography [Paperback]
― Camera Lucida: Reflections on Photography [Paperback]
“The photograph is handsome, as is the boy: that is the studium. But the punctum is: he is going to die. I read at the same time: This will be and this has been; I observe with horror an anterior future of which death is the stake. By giving me the absolute past of the pose (aorist), the photograph tells me death in the future.”
― Camera lucida
― Camera lucida
“...if only Photography could give me a neutral, anatomic body, a body which signifies nothing! Alas, I am doomed by (well-meaning) Photography always to have an expression: my body never finds its zero degree, no one can give it to me (perhaps only my mother? For it is not indifference which erases the weight of the image—the Photomat always turns you into a criminal type, wanted by the police—but love, extreme love).”
― Camera Lucida: Reflections on Photography [Paperback]
― Camera Lucida: Reflections on Photography [Paperback]
“Wrinkles and bones, white hair and diamonds: I can't wait.”
― Breakfast at Tiffany’s and Three Stories
― Breakfast at Tiffany’s and Three Stories
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