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“And he would wake sometimes in grief, sometimes with the old sense of joy and release; the pillow sometimes wet, sometimes the sheets.”
― Brokeback Mountain
― Brokeback Mountain
“What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.”
― Brokeback Mountain
― Brokeback Mountain
“She put her face against Glinda's and kissed her. 'Hold out, if you can,' she murmured, and kissed her again. 'Hold out, my sweet.'
[...] It was astounding how quickly she became camouflaged in the ragamuffin variety of street life on the Emerald City. Or maybe it was foolish tears blurring Glinda's vision. Elphaba hadn't cried, of course. Her head had turned quickly as she stepped down, not to hide her tears but to soften the fact of their absence. But the sting, to Glinda, was real.”
― Wicked: The Life and Times of the Wicked Witch of the West
[...] It was astounding how quickly she became camouflaged in the ragamuffin variety of street life on the Emerald City. Or maybe it was foolish tears blurring Glinda's vision. Elphaba hadn't cried, of course. Her head had turned quickly as she stepped down, not to hide her tears but to soften the fact of their absence. But the sting, to Glinda, was real.”
― Wicked: The Life and Times of the Wicked Witch of the West
“Every living creature on this earth dies alone"
-Roberta Sparrow”
―
-Roberta Sparrow”
―
“As it did go. They never talked about the sex, let it happen, at first only in the tent at night, then in the full daylight with the hot sun striking down, and at evening in the fire glow, quick, rough, laughing and snorting, no lack of noises, but saying not a goddamn word except once Ennis said, “I’m not no queer,” and Jack jumped in with “Me neither. A one-shot thing. Nobody’s business but ours.”
― Brokeback Mountain
― Brokeback Mountain
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