Stacey McBride

“...As she grew older, she was aware of her changing position on mortality. In her youth, the topic of death was philosophical; in her thirties it was unbearable and in her forties unavoidable. In her fifties, she had dealt with it in more rational terms, arranging her last testament, itemizing assets and heirlooms, spelling out the organ donation, detailing the exact words for her living will. Now, in her sixties, she was back to being philosophical. Death was not a loss of life, but the culmination of a series of releases. It was devolving into less and less. You had to release yourself from vanity, desire, ambition, suffering, and frustration - all the accoutrements of the I, the ego. And if you die, you would disappear, leave no trace, evaporate into nothingness...”
― Amy Tan, Saving Fish from Drowning

“...A painting was a translation of the language of my heart.”
― Amy Tan, Saving Fish from Drowning

“Keep in mind the roots of violence: Lust, envy, anger, avarice, and vengeance...the taproot...the killer's ultimate and truest motivation...is the hatred of truth...the hatred of truth is a vice. From it comes pride and an enthusiasm for disorder.”
― Dean Koontz, Your Heart Belongs to Me

“Was there ever a great true love? Anyone who became the object of my obsession and not simply my affections?...I could not let myself become that unmindful. Isn't that what love is - losing your mind? You don't care what people think. You don't see your beloved's faults, the slight stinginess, the bit of carelessness, the occasional streak of meanness. You don't mind that he is beneath you socially, educationally, financially, and morally - that's the worst, I think, deficient morals.”
― Amy Tan, Saving Fish from Drowning