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The Year of Magic...
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Extinction
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Closer You Are: T...
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Kate Chopin
“Who can tell what metals the gods use in forging the subtle bond which we call sympathy, which we might as well call love.”
Kate Chopin, The Awakening

J.D. Salinger
“Bessie: 'Why don't you get married?'
Zooey: 'I like riding in trains too much. You never get to sit next to the window anymore when you're married.”
J.D. Salinger, Franny and Zooey

Paul Auster
“I can't remember everything we talked about, but the beginning of that conversation is a lot clearer to me than the end. By the time we came to the last half hour or forty-five minutes, there was so much bourbon in my system that I was actually seeing double. This had never happened to me before, and I had no idea how to bring the world back into focus. Whenever I looked at Sachs, there were two of him. Blinking my eyes didn't help, and shaking my head only made me dizzy. Sachs had turned into a man with two heads and two mouths, and when I finally stood up to leave, I can remember how he caught me in his four arms just as I was about to fall. It was probably a good thing that there were so many of him that afternoon. I was nearly a dead weight by then, and I doubt that one man could have carried me.”
Paul Auster, Leviathan

“Zooey was now gazing abstractedly at an old root-beer stain on the ceiling plaster, which he himself had made nineteen or twenty years earlier, with a water pistol.”
J.D Salinger

Thomas Bernhard
“Speaking of his country, his own homeland, a man could not exist in it, get along in it for a single day, except by never once telling the truth, to anyone, about anything, because the lie alone kept things moving in this country, the lie with its seven veils and embroideries and masquerades and intimidations. In this country the lie is valued above all, the truth only gets one prosecuted, condemned, and ridiculed. Which is why Konrad did not conceal the fact that his entire nation had taken refuge in the lie.”
Thomas Bernhard, The Lime Works

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