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"THIS PART IS SURPRISINGLY UNPLEASANT COMPARED TO THE FIRST FOUR CHAPTERS. WHY DOES ALAIN DE BOTTON THINK I NEED TO KNOW ABOUT AMMONIUM PERCHLORATE OR WHATEVER TECHNICAL DETAIL HE’S TRYING TO SMUGGLE INTO A PHILOSOPHY BOOK?" — Sep 04, 2026 10:31AM
"THIS PART IS SURPRISINGLY UNPLEASANT COMPARED TO THE FIRST FOUR CHAPTERS. WHY DOES ALAIN DE BOTTON THINK I NEED TO KNOW ABOUT AMMONIUM PERCHLORATE OR WHATEVER TECHNICAL DETAIL HE’S TRYING TO SMUGGLE INTO A PHILOSOPHY BOOK?" — Sep 04, 2026 10:31AM
“As for Charles – well, basically, he likes girls. If he’s drunk, I’ll do. But – just when I’ve managed to harden my heart, he’ll turn around and be so sweet. I always fall for it. I don’t know why.”
―
―
“Why do people have memories? It would be easier to die - anything to stop remembering.”
― Life and Fate
― Life and Fate
“I am just the biologist; I don’t require any of this to have a deeper meaning. I am aware that all of this speculation is incomplete, inexact, inaccurate, useless. If I don’t have real answers, it is because we still don’t know what questions to ask. Our instruments are useless, our methodology broken, our motivations selfish.”
― Annihilation
― Annihilation
“But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’
Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.”
― The Secret History
Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.”
― The Secret History
“If I had grown up in that house I couldn't have loved it more, couldn't have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon, and the strip of highway visible -just barely – in the hills, beyond the trees. The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately to my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects: the house, the sky, the maple trees. But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe.”
― The Secret History
― The Secret History
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