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"Noting Pgs 47-48 for “The Most Photographed Barn in America” analysis of selection from Don DeLillo’s White Noise. Wallace completes a thorough and complex analysis of meta-cognition and media, but his selection here also warns against over intellectualization. Murray participates as a genuine exercise of observation and commentary, but in doing so participates in the “…accumulation of nameless energies.”" — Oct 26, 2025 08:44AM
"Noting Pgs 47-48 for “The Most Photographed Barn in America” analysis of selection from Don DeLillo’s White Noise. Wallace completes a thorough and complex analysis of meta-cognition and media, but his selection here also warns against over intellectualization. Murray participates as a genuine exercise of observation and commentary, but in doing so participates in the “…accumulation of nameless energies.”" — Oct 26, 2025 08:44AM
“The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
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