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The Will of the Many
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by James Islington (Goodreads Author)
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We Used to Live Here
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by Marcus Kliewer (Goodreads Author)
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A Court of Mist a...
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May 08, 2024 08:50AM

 
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George Orwell
“What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing you can do with words is to surrender to them.”
George Orwell, Politics and the English Language

George Orwell
“(i) Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
(ii) Never use a long word where a short one will do.
(iii) If it is possible to cut a word out, always cut it out.
(iv) Never use the passive where you can use the active.
(v) Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
(vi) Break any of these rules sooner than say anything outright barbarous.”
George Orwell, Politics and the English Language

George Orwell
“A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: 1. What am I trying to say? 2. What words will express it? 3. What image or idiom will make it clearer? 4. Is this image fresh enough to have an effect?”
George Orwell, Politics and the English Language

Hélène Cixous
“And why don't you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great-that is for "great men"; and it's "silly."

Besides, you've written a little, but in secret. And it wasn't good, because it was in secret, and because you punished yourself for writing, because you didn't go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time.”
Hélène Cixous, The Laugh of the Medusa

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