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H. A.
https://www.goodreads.com/h7iv
“Though the face before me was that of a young woman of certainly not more than thirty years, in perfect health and the first flush of ripened beauty, yet it bore stamped upon it a seal of unutterable experience, and of deep acquaintance with grief and passion. Not even the slow smile that crept about the dimples of her mouth could hide the shadow of sin and sorrow. It shone even in the light of those glorious eyes, it was present in the air of majesty, and it seemed to say: 'Behold me, lovely as no woman was or is, undying and half-divine; memory haunts me from age to age, and passion leads me by the hand--evil have I done, and with sorrow have I made acquaintance from age to age, and from age to age evil shall I do, and sorrow shall I know till my redemption comes.”
― She
― She
“Act in such a way that you treat humanity, whether in your own person or in the person of any other, never merely as a means to an end, but always at the same time as an end.”
― Grounding for the Metaphysics of Morals/On a Supposed Right to Lie Because of Philanthropic Concerns
― Grounding for the Metaphysics of Morals/On a Supposed Right to Lie Because of Philanthropic Concerns
“Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.”
― Idylls of the King and a Selection of Poems
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.”
― Idylls of the King and a Selection of Poems
“And, they tell us, we at home
Live free from danger, they go out to battle: fools!
I’d rather stand three times in the front line than bear
One child.”
― Medea
Live free from danger, they go out to battle: fools!
I’d rather stand three times in the front line than bear
One child.”
― Medea
“No object is in a constant relationship with pleasure,' wrote Barthes. 'For
the writer, however, it is the mother tongue.' But what if the mother tongue is
stunted? What if that tongue is not only the symbol of a void, but is itself a
void, what if the tongue is cut out? Can one take pleasure in loss without
losing oneself entirely? The Vietnamese I own is the one you gave me, the
one whose diction and syntax reach only the second-grade level.
As a girl, you watched, from a banana grove, your schoolhouse collapse
after an American napalm raid. At five, you never stepped into a classroom
again. Our mother tongue, then, is no mother at all—but an orphan. Our
Vietnamese a time capsule, a mark of where your education ended, ashed.
Ma, to speak in our mother tongue is to speak only partially in Vietnamese,
but entirely in war.”
― On Earth We're Briefly Gorgeous
the writer, however, it is the mother tongue.' But what if the mother tongue is
stunted? What if that tongue is not only the symbol of a void, but is itself a
void, what if the tongue is cut out? Can one take pleasure in loss without
losing oneself entirely? The Vietnamese I own is the one you gave me, the
one whose diction and syntax reach only the second-grade level.
As a girl, you watched, from a banana grove, your schoolhouse collapse
after an American napalm raid. At five, you never stepped into a classroom
again. Our mother tongue, then, is no mother at all—but an orphan. Our
Vietnamese a time capsule, a mark of where your education ended, ashed.
Ma, to speak in our mother tongue is to speak only partially in Vietnamese,
but entirely in war.”
― On Earth We're Briefly Gorgeous
H.’s 2025 Year in Books
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