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“You see, given the period in which I wrote those books, it was good form (in order to be viewed favourably by the institutional Left) to cite Marx in the footnotes. So I was careful to steer clear of that. But I could dredge up — which is of no interest — quite a few passages I wrote referring to Marx. Marx would not have been that author, functioning that way in French culture, with such a political surcharge. That is the Marx I would have cited at the bottom of the page. I didn’t do it: to have some fun, and to set a trap for those among the Marxists who have tacked me to those sentences. That was part of the game.
(p.g., 395 of Structuralism and Post-Structuralism, in Aesthetic, Method, and Epistemology, Penguin Books, 2020)”
― Aesthetics, Method, and Epistemology
(p.g., 395 of Structuralism and Post-Structuralism, in Aesthetic, Method, and Epistemology, Penguin Books, 2020)”
― Aesthetics, Method, and Epistemology
“I am two fools, I know,
For loving, and for saying so
In whining poetry;
But where's that wiseman, that would not be I,
If she would not deny?
Then as th' earth's inward narrow crooked lanes
Do purge sea water's fretful salt away,
I thought, if I could draw my pains
Through rhyme's vexation, I should them allay.
Grief brought to numbers cannot be so fierce,
For he tames it, that fetters it in verse.
But when I have done so,
Some man, his art and voice to show,
Doth set and sing my pain;
And, by delighting many, frees again
Grief, which verse did restrain.
To love and grief tribute of verse belongs,
But not of such as pleases when 'tis read.
Both are increased by such songs,
For both their triumphs so are published,
And I, which was two fools, do so grow three;
Who are a little wise, the best fools be.”
―
For loving, and for saying so
In whining poetry;
But where's that wiseman, that would not be I,
If she would not deny?
Then as th' earth's inward narrow crooked lanes
Do purge sea water's fretful salt away,
I thought, if I could draw my pains
Through rhyme's vexation, I should them allay.
Grief brought to numbers cannot be so fierce,
For he tames it, that fetters it in verse.
But when I have done so,
Some man, his art and voice to show,
Doth set and sing my pain;
And, by delighting many, frees again
Grief, which verse did restrain.
To love and grief tribute of verse belongs,
But not of such as pleases when 'tis read.
Both are increased by such songs,
For both their triumphs so are published,
And I, which was two fools, do so grow three;
Who are a little wise, the best fools be.”
―
“Where there is power, there is resistance.”
― The History of Sexuality, Volume 1: An Introduction
― The History of Sexuality, Volume 1: An Introduction
“Simplifying to the extreme, I define postmodern as incredulity toward metanarratives.”
― The Postmodern Condition: A Report on Knowledge
― The Postmodern Condition: A Report on Knowledge
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