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Iago is gay in the way that all the best fictional murderers are gay—Norman Bates, Tom Ripley, the titular Third Man—and he was the original. Iago is gay like a black leather whip, like Paris in the 1920s, like calling non-food thingsIago is gay in the way that all the best fictional murderers are gay—Norman Bates, Tom Ripley, the titular Third Man—and he was the original. Iago is gay like a black leather whip, like Paris in the 1920s, like calling non-food things delicious. Iago is gay like cold eyes and bony hips, like a pearl-handled pistol tucked in one’s suit pocket, like delicate fingers that could play a Chopin prelude or crush a throat with equal grace. Iago is gay in the way that we the F&N unit aspire to be gay, but it’s harder for girls....more