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“All I manage to glimpse is an effect of melting light on one side of her misty hair, and in this, I suspect, I am insidiously influenced by the standard artistry of modern photography and I feel how much easier writing must have been in former days when one's imagination was not hemmed in by innumerable visual aids, and a frontiersman looking at his first giant cactus or his first high snows was not necessarily reminded of a tire company's pictorial advertisement.”
― Vladimir Nabokov, Lance

“He's got a car bomb. He puts the key in the ignition and turns it—the car blows up. He gets out. He opens the hood and makes a cursory inspection. He closes the hood and gets back in. He turns the key in the ignition. The car blows up. He gets out and slams the door shut disgustedly. He kicks the tire. He takes off his jacket and shimmies under the chassis. He pokes around. He slides back out and wipes the grease off his shirt. He puts his jacket back on. He gets in. He turns the key in the ignition. The car blows up, sending debris into the air and shattering windows for blocks. He gets out and says, Damn it! He calls a tow truck. He gives them his AAA membership number. They tow the car to an Exxon station. The mechanic gets in and turns the key in the ignition. The car explodes, demolishing the gas pumps, the red-and-blue Exxon logo high atop its pole bursting like a balloon on a string. The mechanic steps out. You got a car bomb, he says. The man rolls his eyes. I know that, he says.”
― Mark Leyner, My Cousin, My Gastroenterologist

“If I take a chamois and rub real hard on the bone, right on the ledge of your cheek bone, some of the black will disappear. It will flake away into the chamois and underneath there will be gold leaf. I can see it shining through the black. I know it is there…
[...] And if I take a nailfile or even Eva’s old paring knife - that will do - and scrape away at the gold, it will fall away, it will fall away and there will be alabaster. The alabaster is what gives your face its planes, its curves. That is why your mouth smiling does not reach your eyes. Alabaster is giving it a gravity that resists a total smile.


[...] Then I can take a chisel and small tap hammer and tap away at the alabaster. It will crack then like ice under the pick, and through the breaks I will see the loam, fertile, free of pebbles and twigs. For it is the loam that is giving you that smell.
”
― Toni Morrison, Sula

“They believe they know before the music does what their hands, their feet are to do, but that illusion is the music's secret drive: the control it tricks them into believing is theirs; the anticipation it anticipates.”
― Toni Morrison, Jazz