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Hella Town: Oakla...
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The Way of Kings
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by Brandon Sanderson (Goodreads Author)
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Jul 26, 2023 08:26PM

 
The Meaning of Ma...
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by Mariah Carey (Goodreads Author)
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“When they first came for us with their bullets, we didn't stop moving even though the bullets moved twice as fast as the sound of our screams, and even when their heat and speed broke our skin, shattered our bones, skulls, pierced our hearts, we kept on, even when we saw the bullets send our bodies flailing through the air like flags, like the many flags and buildings that went up in place of everything we knew this land to be before. The bullets were premonitions, ghosts from dreams of a hard, fast, future. The bullets moved on after moving through us, became the promise of what was to come, the speed and the killing, the hard,f ast lines of borders and buildings. They took everything and ground it down to dust as fine as gunpowder, they fired their guns into the air in victory and the strays flew out into the nothingneww of histories written wrong and meant to be forgotten. Stray bullets and consequences are landing on our unsuspecting bodies even now.”
Tommy Orange (author)

Jia Tolentino
“As a category, unruliness is also frustratingly large and amorphous. So many things are deemed unruly in women that a woman can seem unruly for simply existing without shame in her body - just for following her desires, no matter whether those desires are liberatory or compromising, or, more likely, a combination of the two. A woman is unruly if anyone has incorrectly decided that she's too much of something, and if she, in turn, has chosen to believe that she's just fine.”
Jia Tolentino, Trick Mirror: Reflections on Self-Delusion

Jia Tolentino
“On the wings of market-friendly feminism, the idea that personal advancement is a subversive form of political progress has been accepted as gospel. The trickiest thing about this idea is that it is incomplete and insufficient without being entirely wrong. The feminist scammer rarely sets out to scam anyone, and would argue, certainly, that she does not belong in this category. She just wants to be successful, to gain the agency that men claim so easily, to have the sort of life she wants. She should be able to have that, shouldn't she? The problem is that a feminism that prioritizes the individual will always, at its core, be at odds with a feminism that prioritizes the collective. The problem is that it is so easy today for a woman to seize upon an ideology she believes in and then exploit it, or deploy it in a way that actually runs counter to that ideology. That is in fact exactly what today's ecosystem of success encourages a woman to do.”
Jia Tolentino, Trick Mirror: Reflections on Self-Delusion

Jia Tolentino
“No crime is confounding and punitive the way rape is. No other violent offense comes with a built-in alibi that can instantly exonerate the criminal and place responsibility on the victim. There is no glorified interpersonal behavior that can be used to explain robbery or murder the way that sex can be used to explain rape. The best-case scenario for a rape victim in terms of adjudication is the worst-case scenario in terms of experience: for people to believe you deserve justice, you have to be destroyed. The fact that feminism is ascendant and accepted does not change this. The world that we believe in, that we're attempting to make real and tangible, is still not the world that exists.”
Jia Tolentino, Trick Mirror: Reflections on Self-Delusion

Jia Tolentino
“And here one of the most soul-crushing things about the Trump era reveals itself: to get through it with any psychological stability—to get through it without routinely descending into an emotional abyss—a person’s best strategy is to think mostly of himself, herself. As wealth continues to flow upward, as Americans are increasingly shut out of their own democracy, as political action is constrained into online spectacle, I have felt so many times that the choice of this era is to be destroyed or to morally compromise ourselves in order to be functional—to be wrecked, or to be functional for reasons that contribute to the wreck.”
Jia Tolentino, Trick Mirror

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