Katherina

“Whenever I see someone reading a book, especially if it is someone I don't expect, I feel civilisation has become a little safer.”
― Matt Haig, How to Stop Time

“He tells her how the word beech becomes the word book, in language after language. How book branched up out of beech roots, way back in the parent tongue. How beech bark played host to the earliest Sanskrit letters.”
― Richard Powers, The Overstory

“We don't make reality. We evade it. By looting natural capital and hiding the costs. But the bill is coming, and we won't be able to pay.”
― Richard Powers, The Overstory

“Literature composed by women was stored not in books but in female bodies, living repositories of poetry and song. I have come across a line of argument in my reading, which posits that, due to the inherent fallibility of memory and the imperfect human vessels that held it, the Caoineadh cannot be considered a work of single authorship. Rather, the theory goes, it must be considered collage, or, perhaps, a folky reworking of older keens. This, to me --- in the brazen audacity of one positioned far from the tall walls of the university --- feels like a male assertion pressed upon a female text. After all, the etymology of the word ‘text’ lies in the Latin verb ‘texere’: to weave, to fuse, to braid. The Caoineadh form belongs to a literary genre worked and woven by women, entwining strands of female voices that were carried in female bodies, a phenomenon that seems to me cause for wonder and admiration, rather than suspicion of authorship.”
― Doireann Ní Ghríofa, A Ghost in the Throat