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Soetsu Yanagi
“People these days waste a tremendous amount of paper. They waste it because it is of poor quality and is made to be wasted. Or it might be more correctly said that the perception of good paper as a precious commodity has dwindled. But does this careless treatment of paper mean that our lives are any better? No, it is precisely such irresponsible thinking that should be avoided at all costs. Both from a moral and aesthetic point of view, it should be shunned. It lacks any feeling of gratitude or appreciation for one of the blessings of nature.”
Soetsu Yanagi, The Beauty of Everyday Things

“People delay action once they know truth—and the interim between knowing and doing is the space where suffering thrives. Most of the time, it’s not about not knowing what to do (or not knowing who you are). It’s about the resistance between what’s right and what’s easy, what’s best in the long v. short term. We hear our instincts; we just don’t listen. This is the single most common root of discomfort: the space between knowing and doing. We’re culturally addicted to procrastination, but we’re also just as enamored by deflection. By not acting immediately, we think we’re creating space for the truth to shift, when we’re really only creating discomfort so that we can sense it more completely (though we’re suffering needlessly in the process).”
Brianna Wiest, 101 Essays That Will Change The Way You Think

Carlo Rovelli
“I do not fear death. I fear suffering. And I fear old age, though less so now that I am witnessing the tranquil and pleasant old age of my father. I am afraid of frailty, and of the absence of love. But death does not alarm me. It did not scare me when I was young, and I thought at the time that this was because it was such a remote prospect. But now, at sixty, the fear has yet to arrive. I love life, but life is also struggle, suffering, pain. I think of death as akin to a well-earned rest.”
Carlo Rovelli, L'ordine del tempo

Taylor Jenkins Reid
“Small boundaries broken, snapped like tiny twigs, so many that June barely noticed he was coming for the whole tree.”
Taylor Jenkins Reid, Malibu Rising

“Meadow had made rich fat women less fat, and rich stupid kids less stupid, and lame rich men less lame. And she wanted so badly to be on the other side... to be fat and stupid and lame and rich. But what she couldn't see most of all, more than she couldn't see that she was never going to get the restaurant, was that those people were *nothing* compared to her. They were matches to her bonfire. She was the last cowboy, all romance and failure. The world was changing, and her kind didn't have anywhere to go. Being a beacon of hope for lesser people... is a lonely business.”
Mistress America

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