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The Weight of Blood
Grace Dalton is currently reading
by Laura McHugh (Goodreads Author)
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Vera Brittain
“When I was a girl . . . I imagined that life was individual, one's own affair; that the events happening in the world outside were important enough in their own way, but were personally quite irrelevant. Now, like the rest of my generation, I have had to learn again and again the terrible truth . . . that no life is really private, or isolated, or self-sufficient. People's lives were entirely their own, perhaps--and more justifiably--when the world seemed enormous, and all its comings and goings were slow and deliberate. But this is so no longer, and never will be again, since man's inventions have eliminated so much of distance and time; for better, for worse, we are now each of us part of the surge and swell of great economic and political movements, and whatever we do, as individuals or as nations, deeply affects everyone else.”
Vera Brittain, Testament of Youth

Michael  Grant
“I knew the eyes. I didn’t know the Kraut, but yeah, I sure knew that look. I see it when I look in the mirror, even now. If you stay too long in the war, it’s like your eyes try to get away, like they’re sinking down, trying to hide, wary little animals crawling into the cave of your eye socket.”
Michael Grant, Silver Stars

Erika Johansen
“The future was only disasters of the past, waiting to happen anew.”
Erika Johansen , The Queen of the Tearling

Lynsey Addario
“The women also put my life of privilege, opportunity, independence, and freedom into perspective. As an American woman, I was spoiled: to work, to make decisions, to be independent, to have relationships with men, to feel sexy, to fall in love, to fall out of love, to travel. I was only twenty-six, and I had already enjoyed a lifetime of new experiences.”
Lynsey Addario, It's What I Do: A Photographer's Life of Love and War

Lynsey Addario
“the Christian Science Monitor and the AP. I wrote to the photo desk of the New York Times several times, offering myself up as a stringer, and each time my e-mail went unanswered. I wrote directly to the New York Times correspondents based in India and asked if I could shoot anything for them. They told me they took their own pictures while on assignment. I would keep trying. I felt that if I could only shoot for the New York Times—to me, the newspaper that most influenced American foreign policy and that employed the world’s best journalists—I would reach the pinnacle of my career.”
Lynsey Addario, It's What I Do: A Photographer's Life of Love and War

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