Syd Stoll

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The House on Mang...
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The Essential Dyk...
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by Alison Bechdel (Goodreads Author)
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Rob Reiner
“Everybody talks about wanting to change things and help and fix, but ultimately all you can do is fix yourself. And that's a lot. Because if you can fix yourself, it has a ripple effect.”
Rob Reiner

“When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape.”
Louise Erdrich, The Plague of Doves

Nick Hornby
“Sentimental music has this great way of taking you back somewhere at the same time that it takes you forward, so you feel nostagic and hopeful all at the same time.”
Nick Hornby, High Fidelity

Nick Hornby
“What came first – the music or the misery? Did I listen to the music because I was miserable? Or was I miserable because I listened to the music? Do all those records turn you into a melancholy person?”
Nick Hornby, High Fidelity

Terry Pratchett
“There are, it has been said, two types of people in the world. There are those who, when presented with a glass that is exactly half full, say: this glass is half full. And then there are those who say: this glass is half empty.
The world belongs, however, to those who can look at the glass and say: What's up with this glass? Excuse me? Excuse me? This is my glass? I don't think so. My glass was full! And it was a bigger glass! Who's been pinching my beer?
And at the other end of the bar the world is full of the other type of person, who has a broken glass, or a glass that has been carelessly knocked over (usually by one of the people calling for a larger glass) or who had no glass at all, because he was at the back of the crowd and had failed to catch the barman's eye. ”
Terry Pratchett, The Truth: Stage Adaptation
tags: life

108221 Washington Post Reads — 603 members — last activity Apr 01, 2014 07:21PM
The first book we will be reading is "Beautiful Ruins" by Jess Walter. "Hopscotching between 1960s Italy and contemporary Hollywood, “Beautiful Ruins” ...more
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