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Gryffin
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“later that night
i held an atlas in my lap
ran my fingers across the whole world
and whispered
where does it hurt?
it answered
everywhere
everywhere
everywhere.”
―
i held an atlas in my lap
ran my fingers across the whole world
and whispered
where does it hurt?
it answered
everywhere
everywhere
everywhere.”
―
“We are machines, all of us...
And what does a machine do when too much is assigned to it? When too much coal, too much ink, too much information is forced violently through its channels?
Why, it stutters, it chokes, finally, it shuts down.
Where do they put the broken machines?
There is only one place.”
― The Asylum for Wayward Victorian Girls
And what does a machine do when too much is assigned to it? When too much coal, too much ink, too much information is forced violently through its channels?
Why, it stutters, it chokes, finally, it shuts down.
Where do they put the broken machines?
There is only one place.”
― The Asylum for Wayward Victorian Girls
“It's not my responsibility to be beautiful. I'm not alive for that purpose. My existence is not about how desirable you find me.”
―
―
“Your daughter is ugly.
She knows loss intimately,
carries whole cities in her belly.
As a child, relatives wouldn’t hold her.
She was splintered wood and sea water.
They said she reminded them of the war.
On her fifteenth birthday you taught her
how to tie her hair like rope
and smoke it over burning frankincense.
You made her gargle rosewater
and while she coughed, said
macaanto girls like you shouldn’t smell
of lonely or empty.
You are her mother.
Why did you not warn her,
hold her like a rotting boat
and tell her that men will not love her
if she is covered in continents,
if her teeth are small colonies,
if her stomach is an island
if her thighs are borders?
What man wants to lay down
and watch the world burn
in his bedroom?
Your daughter’s face is a small riot,
her hands are a civil war,
a refugee camp behind each ear,
a body littered with ugly things
but God,
doesn’t she wear
the world well.”
―
She knows loss intimately,
carries whole cities in her belly.
As a child, relatives wouldn’t hold her.
She was splintered wood and sea water.
They said she reminded them of the war.
On her fifteenth birthday you taught her
how to tie her hair like rope
and smoke it over burning frankincense.
You made her gargle rosewater
and while she coughed, said
macaanto girls like you shouldn’t smell
of lonely or empty.
You are her mother.
Why did you not warn her,
hold her like a rotting boat
and tell her that men will not love her
if she is covered in continents,
if her teeth are small colonies,
if her stomach is an island
if her thighs are borders?
What man wants to lay down
and watch the world burn
in his bedroom?
Your daughter’s face is a small riot,
her hands are a civil war,
a refugee camp behind each ear,
a body littered with ugly things
but God,
doesn’t she wear
the world well.”
―
“for the fifth time this month
you say you’re going to leave him
he calls you a cunt over the phone
then walks the three miles to your house
and kisses your mouth until the word is just
a place on your body.
i don’t know what brings broken people together
maybe damage seeks out damage
the way stains on a mattress halo into one another
the way stains on a mattress bleed into each other.”
―
you say you’re going to leave him
he calls you a cunt over the phone
then walks the three miles to your house
and kisses your mouth until the word is just
a place on your body.
i don’t know what brings broken people together
maybe damage seeks out damage
the way stains on a mattress halo into one another
the way stains on a mattress bleed into each other.”
―
Gryffin’s 2025 Year in Books
Take a look at Gryffin’s Year in Books, including some fun facts about their reading.
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