Alena

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Schild's Ladder
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The Last
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Automatic Noodle
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by Annalee Newitz (Goodreads Author)
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Book cover for The Man Who Mistook His Wife For A Hat: And Other Clinical Tales
(If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self—himself—he cannot know it, because he is no longer there to know it.)
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John Scalzi
“I expected the members of Earth’s leading society of villains to be smarter,” I said. “I don’t know why.” “They’re smarter in movies and books.” “They would have to be, wouldn’t they?” Morrison said. “In the real world, they can be what people like them usually are: a bunch of dudes born into money who used that money to take advantage of other people to make even more money. It works great until they start believing that being rich makes them smart, and then they get in trouble. Unless they find someone else to take advantage of.”
John Scalzi, Starter Villain

Madeline Miller
“I thought once that gods are the opposite of death, but I see now they are more dead than anything, for they are unchanging, and can hold nothing in their hands.”
Madeline Miller, Circe

Chuck Wendig
“C’mon, please.” Lore shook her head. “He always was what he was, and he told us from the beginning. When someone tells you who they are, believe them. Isn’t that the saying? You knew who he was and who you were voting for. You probably voted for him the other times, too, you just won’t say it out loud. You took the hat off, oooh, but I bet you still own it. If I squint, I can still see it on your head.” She rolled her eyes. “Half of America put the hat on and took the mask off and that was that, and that’s where we’re at now.”
Chuck Wendig, The Staircase in the Woods

Madeline Miller
“I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.”
Madeline Miller, Circe

Josh Rountree
“The crowd cheered louder. Blood pounded hard in my head, began to drown out everything else. The performers continued to trade fire, and I wondered at how clinical the whole thing felt. A sanitized version of the violence that had plagued the prairie ever since the European settlers decided to press their way West. This was a performance for romantics, who read about such struggles in dime novels and eastern newspapers. They clapped and laughed and traded jabs with one another about how many Indians they’d have killed if just given the chance and a well-oiled long rifle. My stomach boiled and my heart hurt. None of these people had felt someone’s hot blood staining their fine clothes. None of them had smelled death up close. They cheered as the occasional Indian tumbled from his horse, felled by Frank’s imaginary bullets, but there was no question the victims would all get back up again. Limbs still attached. Chest cavities untroubled by flattened chunks of lead. It was a celebration of death, and I hated it.”
Josh Rountree, The Unkillable Frank Lightning

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