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The Brontes
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Oct 09, 2021 01:32AM

 
Life, the Univers...
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May 25, 2021 04:10PM

 
When Breath Becom...
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“He hangs on now, pressing his hand lightly against the wall, below the window, waiting for the familiar arrow of pain. Only there is none. An oddly pleasant swell of memory, a wave of warmth flooding over him, sliding back, slowly. It is a first”
Judith Guest, Ordinary People

William Wordsworth
“I cannot paint what then I was.”
William Wordsworth

“And do not be paralyzed. It is better to move than to be unable to move, because you fear loss so much: loss of order, loss of security, loss of predictability.”
Judith Guest, Ordinary People

Eva Hoffman
“From then on, my idea of grace is fulfilling your talent completely, and my only idea of sin is misusing that gift. The dread of not becoming completely what you can be is so strong that sometimes later in life it will paralyze me. How horrible to do the wrong thing, the thing that doesn't express your essence - and how horrible to fall short of your powers, or to discover that they might be more meager than their seemingly limitless potential!”
Eva Hoffman

Eva Hoffman
“No, I'm no patriot, nor was I ever allowed to be. And yet, the country of my childhood lives within me with a primacy that is a form of love. It lives within me despite my knowledge of our marginality, and its primitive, unpretty emotions. Is it blind and self-deceptive of me to hold on to its memory? I think it would be blind and self-deceptive not to. All it has given me is the world, but that is enough. It has fed me language, perceptions, sounds, the human kind. It has given me the colors and the furrows of reality, my first loves. The absoluteness of those loves can never be recaptured: no geometry of the landscape, no haze in the air, will live in us as intensely as the landscapes that we saw as the first, and to which we gave ourselves wholly, without reservations. Later, of course, we learn how to be more parsimonious; how to parse ourselves into constituent elements, how to be less indiscriminate and foolish in our enthusiasms. But if we're not to risk falling into that other absurd, in which we come unpeeled from all the objects of the world, and they all seem equally two-dimensional and stale, we must somehow preserve the memory and possibility of our childish, absurd affections. Insofar as we retain the capacity for our attachment, the energy of desire that draws us toward the world and makes us want to live within it, we're always returning. All we have to draw on is that first potent furnace, the uncomparing, ignorant love, the original heat and hunger for the forms of the world, for the here and now.”
Eva Hoffman, Lost in Translation: A Life in a New Language

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