“I Now Pronounce You Dead
On the night of his execution, Bartolomeo Vanzetti, immigrant
from Italia, fishmonger, anarchist, shook the hand of Warden Hendry
and thanked him for everything. I wish to forgive some people for what
they are now doing to me, said Vanzetti, blindfolded, strapped down
to the chair that would shoot two thousand volts through his body.
The warden’s eyes were wet. The warden’s mouth was dry. The warden
heard his own voice croak: Under the law I now pronounce you dead.
No one could hear him. With the same hand that shook the hand
of Bartolomeo Vanzetti, Warden Hendry of Charlestown Prison
waved at the executioner, who gripped the switch to yank it down.
The walls of Charlestown Prison are gone, to ruin, to dust, to mist.
Where the prison stood there is a school; in the hallways, tongues
speak the Spanish of the Dominican, the Portuguese of Cabo Verde,
the Creole of Haiti. No one can hear the last words of Vanzetti,
or the howl of thousands on Boston Common when they knew.
After midnight, at the hour of the execution, Warden Hendry
sits in the cafeteria, his hand shaking as if shocked, rice flying off
his fork, so he cannot eat no matter how the hunger feeds on him,
muttering the words that only he can hear: I now pronounce you dead.”
―
On the night of his execution, Bartolomeo Vanzetti, immigrant
from Italia, fishmonger, anarchist, shook the hand of Warden Hendry
and thanked him for everything. I wish to forgive some people for what
they are now doing to me, said Vanzetti, blindfolded, strapped down
to the chair that would shoot two thousand volts through his body.
The warden’s eyes were wet. The warden’s mouth was dry. The warden
heard his own voice croak: Under the law I now pronounce you dead.
No one could hear him. With the same hand that shook the hand
of Bartolomeo Vanzetti, Warden Hendry of Charlestown Prison
waved at the executioner, who gripped the switch to yank it down.
The walls of Charlestown Prison are gone, to ruin, to dust, to mist.
Where the prison stood there is a school; in the hallways, tongues
speak the Spanish of the Dominican, the Portuguese of Cabo Verde,
the Creole of Haiti. No one can hear the last words of Vanzetti,
or the howl of thousands on Boston Common when they knew.
After midnight, at the hour of the execution, Warden Hendry
sits in the cafeteria, his hand shaking as if shocked, rice flying off
his fork, so he cannot eat no matter how the hunger feeds on him,
muttering the words that only he can hear: I now pronounce you dead.”
―
Kathryn’s 2025 Year in Books
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