Ann

“I generally have four or five books open around the house—I live alone; I can do this—and they are not books on the same subject. They don’t relate to each other in any particular way, and the ideas they present bounce off one another. And I like this effect. I also listen to audio-books, and I’ll go out for my morning walk with tapes from two very different audio-books, and let those ideas bounce off each other, simmer, reproduce in some odd way, so that I come up with ideas that I might not have come up with if I had simply stuck to one book until I was done with it and then gone and picked up another.”
― Octavia E. Butler

“Bengalis are the world's greatest experts on things they know absolutely nothing about.”
― Sopan Deb, Keya Das's Second Act

“Old paint on a canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will show through a woman's dress, a child makes way for a dog, a large boat is no longer on an open sea. That is called pentimento because the painter "repented," changed his mind. Perhaps it would be as well to say that the old conception, replaced by a later choice, is a way of seeing and then seeing again. That is all I mean about the people in this book. The paint has aged and I wanted to see what was there for me once, what is there for me now.”
― Lillian Hellman, Pentimento

“It was all he could do not to laugh, the lives of the vast majority of authors being far more private than they likely wished. Maybe Stephen King or John Grisham got approached in the supermarket by a quavering person extending pen and paper, but for most writers, even reliably published and actually self-supporting writers, the privacy was thunderous.”
― Jean Hanff Korelitz, The Plot