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Pride and Prejudice
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bookshelves: classics, currently-reading
Reading for the 2nd time
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The Honeywood Fil...
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Book cover for Why Does He Do That? Inside the Minds of Angry and Controlling Men
on some level he senses—though not necessarily consciously—that there is power in your anger. If you have space to feel and express your rage, you will be better able to hold on to your identity and to resist his suffocation of you. He ...more
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Agatha Christie
“Christianity has made fools of women,’ she said. ‘Such a worship of weakness, such snivelling humiliation! Pagan women had strength. They rejoiced and conquered! And in order to conquer, no discomfort is unbearable. Nothing is too much to suffer.”
Agatha Christie, Destination Unknown

Sherry Argov
“Many people lack the basic equipment to be in a relationship and there’s nothing you can do to change it.”
Sherry Argov, Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship

Daphne du Maurier
“She had played too long a part unworthy of her. She had consented to be the Dona her world had demanded – a superficial, lovely creature, who walked, and talked, and laughed, accepting praise and admiration with a shrug of the shoulder as natural homage to her beauty, careless, insolent, deliberately indifferent, and all the while another Dona, a strange, phantom Dona, peered at her from a dark mirror and was ashamed. This other self knew that life need not be bitter, nor worthless, nor bounded by a narrow casement, but could be limitless, infinite – that it meant suffering, and love, and danger, and sweetness, and more than this even, much more.”
Daphne du Maurier, Frenchman's Creek

Daphne du Maurier
“This was a situation that evoked screams of delight in the theatre, and I thought how very close to humour must disgust and horror always be.”
Daphne du Maurier, The Scapegoat

Mary Westmacott
“She had learnt something, too, of the curious inconsistencies of human nature, of how difficult it was to assess people as ‘good’ or ‘bad’ as she had been inclined to do in her days of youthful dogmatism.”
Mary Westmacott, A Daughter’s a Daughter: A Gripping Historical Drama of Secrets and Crimes of the Heart

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