Lisa Lynch

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Heir to the Shadows
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Elminster in Hell
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Spellbinding Sent...
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Book cover for A Conspiracy of Faith (Department Q, #3)
Woe betide anyone who blew his horn at their expense. Moreover, they were both immune to all forms of bullshit, backslapping, and corridor gossip. If anyone on the force, at least in the capital region, was utterly unsuited to diplomacy, ...more
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William Gibson
“Most of the girls held a single candle, and the combined glow danced among the tear-streaked faces. They were so young, these girls: children. Kathy Torrance had particularly loathed that about Lo/Rez, the way their fan-base had refreshed itself over the years with a constant stream of pubescent recruits, girls who fell in love with Rez in the endless present of the net, where he could still be the twenty-year-old of his earliest hits.”
William Gibson, Idoru

David Foster Wallace
“I acknowledge that I could never convey just what was so dreadful about this tableau of a bright, utterly silent room full of men immersed in work. It was the type of nightmare whose terror is less about what you see than about the feeling you have in your chest and stomach about what you’re seeing.”
David Foster Wallace, The Soul is Not a Smithy

William Gibson
“None of them knowing that that was Rez hunched down in there, under a jacket, but maybe sensing it somehow. And something in Chia letting her know she’d never quite be like that again. Never as comfortably a face in that crowd. Because now she knew there were rooms they never saw, or even dreamed of, where crazy things, or even just boring things, happened, and that was where the stars came from.”
William Gibson, Idoru

William Gibson
“Arleigh said Rez was back at his own hotel now, but that he’d come later to spend some time with her and thank her for all she’d done. That made Chia feel strange. Now she’d seen him in real life, somehow that had taken over from all the other ways she’d known him before, and she felt kind of funny about him. Confused. Like all of this had pegged him in realtime for her, and she kept thinking of her mother complaining that Lo and Rez were nearly as old as she was. And”
William Gibson, Idoru

William Gibson
“Hak Nam rose before her as she waded nearer, but with a dream’s logic it grew no closer. Backwashing sea, sucking at her ankles. The Walled City is growing. Being grown. From the fabric of the beach, wrack and wreckage of the world before things changed. Unthinkable tonnage, dumped here by barge and bulk-lifter in the course of the great reconstruction. The minuscule bugs of Rodel-van Erp seethe there, lifting the iron-caged balconies that are sleeping rooms, countless unplanned windows throwing blank silver rectangles back against the fog. A thing of random human accretion, monstrous and superb, it is being reconstituted here, retranslated from its later incarnation as a realm of consensual fantasy. The”
William Gibson, Idoru

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